Stéphane Audran

She and Claude Chabrol formed one of the most prolific couples in the history of cinema. Through their relationship, and through film clips, reports and broadcasts, a portrait, imbued with humor and elegance, of the actress Stéphane Audran emerges.

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

At a media-swamped party to celebrate his seventieth birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.

On 6 December 2013, a public exhibition dedicated to her memory, Bernadette Lafont l'exposition hommage, was held in Paris. Actors Stéphane Audran, Guillaume Gouix and Alexandra Stewart read some extracts of Bernard Bastide's new biography Bernadette Lafont, une vie de cinéma, including some original letters written by Bernadette. The event was filmed by Gérard Courant and aired as an episode of Carnets filmés, In Memoriam Bernadette Lafont.

A documentary about the making of Luis Bunuel's 1972 film.

An interview with actress Stephane Audran about her role in Gabriel Axel's 1987 film BABETTE'S FEAST.

A brilliant and neurotic attorney goes to Monaco to defend a famous criminal. But, instead of focusing on the case, he falls for a beautiful she-devil, who turns him into a complete wreck... Hopefully, his zealous bodyguard will step in and put everything back in order... Or will he ?

Spring 2004, a house with a large garden welcomes filmmaker Claude Chabrol. He is about to celebrate his 54 films and 74 years of age. Thomas Chabrol, the filmmaker's son, as the perfect butler, is checking the table. "Figu", Claude's film sutler, plunges a lobster into the cauldron... The great merry-go-round can begin!

A re-working, re-editing, and restructuring of Sam Fuller's The Big Red One bringing it closer as originally envisioned by the late filmmaker. It includes forty-seven additional minutes which was not utilized in the film's original release. Supervised by Richard Schickel, Peter Bogdanovich, and editor Bryan McKenzie.

The last three days in the life of Elizabeth of Austria before her assassination.