Joel Meyerowitz is an American street, portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught photography at the Cooper Union in New York City. His work is in the collections of the International Cente...
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Life, death and making meaning are the heart of a beautiful and often very funny film about an aging couple who, after an accident, face the inevitability of impermanence and seek a deep peace in their relationship while they still can.
Vivian Maier's photos were seemingly destined for obscurity, lost among the clutter of the countless objects she'd collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof's discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
Pop chronicles the journey of three generations of Meyerowitz men on a road trip from Florida to the Bronx, in exploration of their familial roots. Joel’s father, Hy, is battling Alzheimer’s disease and so they embark on a “quest to see if, along the way, the adventures and experiences we would have could stimulate his now rapidly failing memory.” The film directed and produced by our Joel Meyerowitz. It is touching, funny, poignant, and beautifully captures the strength of intimacy between fathers and sons.
The film is about a Swiss filmmaker (S.) who is working on a documentary film on the theme of loneliness in New York. It mixes documentary and fiction in an entertaining way, showing all the flourishing industry that is aimed at lonely people, the numerous organizations that offer their services for singles and those seeking partners. S. explores it all with journalist thoroughness. Initially distanced, but as time goes by he finds himself more and more involved personally. He cannot get a woman, he saw on the flight to New York, out of his mind. All that he knows is her name, Michéle, and that she studies music in Boston. His telephone quest does not bring anything and he decides to go to Boston. There he visits all the music schools and puts up posters in the streets. Finally Michéle gets in touch. S. falls in love. The film story meets finally his personal situation. Distance is no longer possible.
The film of Michael Engler from the year 1982 showing the different methods of operation of photgraphers Harry Callahan, Mark Cohen, Robert Frank, Ralph Gibson, Duane Michals, Joel Meyerowitz, Stephen Shore, Garry Winogrand and others
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