Felix Hellmann

No plot available for this movie.

Tom wants to make a hairdressing appointment on the phone, but making the call seems completely impossible to him. How will he manage to overcome his phone phobia?

Leipzig, December 1734: Christmas brings the Bach family together. The first snow has fallen and the children Gottfried and Elisabeth are delighted about the arrival of their older brothers Friedemann and Emanuel. The Thomaskantor has retired to his music room. Anna Magdalena supports her husband, as there are only a few days left and his latest work, the six-part "Christmas Oratorio", must be finished on time. It is awaited with suspicion by the city council and the gentlemen of the consistory, who have long found Bach's waywardness a thorn in their side and fear that, after the premiere of the St. Matthew Passion a few years earlier, the St. Thomas Church will once again be filled with "operatic" music. With the oratorio, Johann Sebastian Bach hopes that he will finally become court composer in Dresden. And, as always, he demands that all members of the family join forces to help him. But differences of opinion are increasingly delaying the completion of Bach's most famous work.

Father and mother are thrilled: So now their teenager son has a girlfriend. And what a fabulous young woman she is! In contrast to his older sister Milli, 17-year-old Franz was previously an introverted, quiet, shy loner. His parents are all the more impressed when he brings home the pretty, self-confident Zoe one night. Zoe quickly finds her way into the heart of Franz’s family. Or is this young woman just telling people what they want to hear because she sees their hidden desires? After an ecstatic night in the clubs of the city of Munich with a little too much drugs, Zoe has disappeared and Franz's heart is broken. He absolutely has to see her again and goes looking for his first great love.

No plot available for this movie.

When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

Angela Merkel's decision in autumn 2015 to open the borders for refugees split the country - some praised the moral stance, others criticized the surrender of sovereignty. Yet what would appear to be well-planned activity is in reality a policy of muddling along, chance, trial and error. The Driven Ones is a chronicle of the refugee crisis which shows that the political actors are being driven along, crushed between self-imposed constraints and events that have spun out of control.

“Eine Almhütte für Zwei” tells an unusual love story: two adults who have remained mentally at the level of children are expecting children. While the happy couple - played by Tom Beck and Anna Drexler - are looking forward to their happy family, the environment makes it extremely difficult for them. Their relatives and advisors are not only concerned with the question of whether they will be able to bear their responsibility, but also with their personal interests.

When Hanna (Fanny Krausz) unexpectedly inherits half of her deceased grandmother's farm in Lower Bavaria, the young woman's life is turned upside down. Because the testamentary conditions have it all! She has to run the farm for four weeks with her cousin Max (Daniel Gawlowski) and worse: spend every night there - otherwise everything goes to church. A bad time, because Hanna is about to step into Alex's Munich coffee bar. And it just so happens that Alex (Matthias Gärtner) is also the man of her dreams. Hanna throws herself into adventure and tries to master the balancing act between town and country. But the longer she is in her old home, the more she realizes her true longings. She doesn't just uncover a family secret,

The Munich LKA officer Sandra Rutkowski received an anonymous call in which a star tenor from the Munich State Opera was accused of molesting children. A boy brought to him is said to be locked in the cloakroom of the singer, who is still being celebrated on the stage. When Sandra and the Munich inspector Lukas Laim break down the door to the cloakroom, they find an intimidated, apathetic boy in the closet.