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During the country's occupation Choi was only allowed to make Japan-friendly films, but the plot of Hurrah! For Freedom is distinctly different, telling the story of a Korean resistance fighter in 1945.

Myeong-ja, a flower vendor in Seoul, and her young brother Yong-pil, are orphans who have been taken in by some very bad people. Yong-pil finds refuge in a private orphanage and Myeong-ja takes her chances with a flower customer.

An educational film about how a backward impoverished village was able to prosper thanks to the initiative of the village youth who began to grow tobacco.

Simple school teachers Koh Young-woo and Choi Il-yeop love each other and do their best to teach the illiterate. However, he is despised by the village elders. Seeing that their will does not waver at all, the village elders understand and cooperate.

The film depicts the reality of Joseon at the time through the conflict between the old and the new generation and the ethics between father and son. Park No-in (Yoon Bong-chun) is a boatman who believes in his profession. He intends to pass the ferry he inherited from his ancestors to his son (Lee Geum-ryong). But he doesn't want to be a boatman. When his father's compulsion grows stronger, one night he goes out alone to the riverside, caresses the oar stained by his father's hands, and then abruptly leaves.

Sang-eun comes to Seoul with land papers to raise money for a business. Two malefactors, trying to steal these documents, fight among themselves.

This literary adaptation tells the story of Oh Mong-nyeo, a young woman living with her stepfather in a seaside village. When men in the village attempt to rape her, she escapes by boat with her boyfriend to seek a better life elsewhere.

Tae-jun, seeing the beauty of Young-hee, was inflamed with passion for her. However, her brother Young-jin prevented him from approaching the girl. By placing Young-jin in a mental hospital, Tae Joon finally has free access to his sister.

Melodrama concerning a spoiled only son. After his father scolds him for his excessive drinking, he sells the family's only cow for money to leave for Seoul. Finding life difficult on his own in Seoul, he returns, begging forgiveness.

The violinist and the dancer fell in love. However, a man suddenly appears, with whom the dancer leaves, tempted by his wealth. A musician who has lost his beloved looks at life pessimistically and falls into despair.
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