Jean-Louis Richard

An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.

Lucas is a young scientist obsessed with the analysis of movement: that of the horses he studies in his laboratory, that of the clappers he practices as an amateur. His professional and sentimental life seems like a stalemate when his brother Luigi, a passionate horse breeder and little crook,who is accidentally killed by a stallion, Mister V. He knows that the animal is the subject of an insurance scam and must be shot against the will of his brother, who had seen in him a future champion. He then decides to take care of the farm and his sister-in-law, for whom he has always had an attraction. Tugged between his feelings, Luigi's memory and the pressures of the former crook partner, he will draw strength and power from the murderous stallion whose savagery fascinates him.

The story is inspired by the biblical myth of Lazarus. The main character is called Lazarus who was a follower of Jesus, brother of Martha and Mary who was resurrected by Jesus.

Twenty-year old Adolphe finds himself drawn irresistibly to Ellénore, a married woman who is ten years his senior. Although she initially repels her young suitor’s unwanted advances, Ellénore soon yields to his charms and the two embark on a passionate love affair.

A chubby forty-ish florist is dumped for a gorgeous young woman. She decides to lose weight and to ruin her rival's life in order to win her handsome lover back.

A bygone symbol of the luxury of yesteryear and a true institution in a provincial town, the "Grand Magasin" is living its last hours. Indeed, the management, which can no longer afford the establishment, is preparing to sell the store to a large distribution group. Agathe, a saleswoman in the men's department for more than 25 years, is shocked to discover that all the staff will be laid off. Feeling both betrayed and responsible for the future of the "Grand Magasin", she becomes a passionaria, leading her colleagues to revolt, a true leader. The operation finally seems to bear fruit when the sale is cancelled and a new director is appointed.

A teacher uses new methods to captivate his audience. Some kids take it too far, some colleagues are worried traditional ways are going to be lost... but eventually, everything turns out OK.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

After fifteen years of absence, a man returns to his family. Five-year-old Aurelie watches the stranger arrive and develops an immediate affinity with him. Her older sister, however, is very suspicious of the intruder and certain that misfortune will follow. The adults see nothing, but struggle with all their might when tragedy strikes. Naturally, the two girls bear the brunt of the impact. The film is an homage to the distant and primitive world of childhood, which shapes each of us.

French novelist Vincent Ravalec made his directorial debut with this French drama about small-time crook Gaston (Yvan Attal) who poses as a millionaire after he picks up hitchhiking 16-year-old Marie-Pierre (Virginie Lanoue). Actually living in a seedy apartment, Gaston deals in stolen goods, but he soon climbs to bigger heists, including car thefts. Concealing his illegal activities, Gaston operates his company, Extramill, out of upscale, posh offices, while he and Marie-Pierre move into a sedate upper-middle-class neighborhood. Life is sweet, but the onset of paranoia, kinky sex activities, and police probes eventually culminate in violence.