Jordan Firstman (born July 8, 1991) is an American writer, producer, and comedian living in Los Angeles, California. He is known for the short films Men Don't Whisper and the Sundance-nominated Call Your Father. Firstman rose to prominence for his short skits, called Impressions, shared on Instagram Live in 2020, during the COVID-19 pandemic.
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A new couple and their families reckon with modern love amid culture clashes, societal expectations and generational differences.
A filmmaker facing an existential crisis goes on a vacation to a Mexican gay nudist beach, where he meets a social media celebrity who convinces him to collaborate with him on his new TV show. But one disappears and another embarks on a wild journey through Mexico City to find him.
After being emasculated at a sales conference, gay couple Reese and Peyton set out to do the most masculine thing they can think of - sleep with some women.
On Josh and Greg's first date, they quickly realize that the generational divide between them is the least of their worries.
The Disgustings are at it again -- this time doling out unwanted relationship advice to unwitting couples who are just doing it wrong.
Colin McCormack thinks he has it all - a great job, a steady stream of hot younger guys, and a best friend whose devotion he takes for granted. But when a charming and mercurial intern sweeps him off his feet, Colin sees a chance for something more: A family of his own. What he discovers instead is a shattering secret that may cost Colin everything -- and everyone -- he holds dear.
A mime who can't shut up falls in love with a woman who can't speak.
A comedic short film about a day in the life of two horrible people. Pierce is an egocentric complainer. Daryl is a judgmental ruthless witch. They are best friends. Together, they are "The Disgustings". In this comedic short film, Pierce and Daryl go through their seemingly lovely day while decimating every person, creation, or ideal they can get their words on. Through their interactions with different humans, they begin to examine the notion that they might not be better than the world.
A screenwriter goes out of town to not talk about show business, the only subject in which he knows how to talk about.
Brian has had an ongoing DILF fantasy since he was old enough to think about it; finally capitalizing on the opportunity he is stunned to realize that what he actually wants is a whole lot more.
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