Alexandra Borbély

Ema & Death’s-Head deals with the precarious border between humanism and the protection of one’s own life in situations when one excludes the other. Marika Sándorfi is hiding a Jewish boy during the dramatic era of the First Slovak State on the Slovak-Hungarian border. Šimon Holan, the boy in hiding, has a special ability to survive thanks to dreaming and a child’s fantasy.

This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.

It tells the story of Adam who lives in isolation due to his stuttering, and hip-hop is the only way he can get rid of his speech impediment.

Josef is a writer aged sixty, who thinks that nothing can surprise him any more. One evening, though, his phone rings and he finds himself caught up in a series of events that turn his world upside-down. His best friend – also a writer – tries to commit suicide; his young girlfriend Katka tells him she’s pregnant; and the man with hare ears – his alter ego from one of his stories – appears to him in everyday situations.

The story of a barely grown man who lives as a fresh postulant before vows in a community of monks. He not only shares with his brothers their world of contemplation, but also, as a link in a long chain, he takes those persecuted by the communist regime across the border to Germany. On one night's return, he witnesses a ruthless crackdown on a group of students fleeing from a nearby village where they had been on compulsory work experience. And not only that: that night, a community of monks is also liquidated in Action K (April 1950), and the returning Christopher witnesses their transport without being able to help his comrades.

No equal signs of justice can be drawn between those who are accused of a crime, those who are convicted of a crime and those who are the true offenders. That triangle always contains the accused who are not guilty and true offenders whose guilt cannot be ultimately proven. Throughout history, one of the greatest deviations in the strive towards equality has occurred in the triangle of guilt in sexual crimes, where guilt is largely proven on the basis of a woman’s will.

This story is about letting go. Sometimes we can't let go, and this might result in consequences that end in tragedy. There's only one thing we can do: face ourselves.

Longtime friends and strangers mingle while spending the holiday on the snowy Slovakian mountains with an ample dose of ridiculousness and romance.

Liesel Landauer and her friend Hana are linked by a lifelong relationship and an exceptional house built by the architect Von Abt for Liesel and her husband Viktor in Czechoslovakia in the early 1930s.

Vampires are among us! But no need to worry: the Hungarian Secret Police are after them, and beyond the usual spy gadgets, they even use garlic to repel the beasts.