Hsieh Ying-shiuan

A comic book writer is invited by a film production company to adapt her short comic collection about casual relationships. As she navigates the changing streaming market and the company’s demands, she must devise various adaptation concepts for a movie, half-hour, or hour-long series. Her research takes her to hotels, and under pressure, she meets someone who inspires personal transformation.

Three students from Jing Mu Girls’ Middle School go missing and turn up dead. Xiao Tong, a special education student with speech impairment, feels like someone is watching her. During the rehearsal for the school’s foundation day event, a corpse falls from the ceiling of the auditorium, and Xiao Tong disappears in the midst of confusion. Her mother, Li Han, who has been working at the school to be close to Xiao Tong, begins her pursuit.

A deadly virus outbreak puts a hospital in total lockdown, and various people trapped in the crisis must confront a deluge of agonizing choices.

Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.

A woman who was overwhelmed by work and had no time to imagine the future. Her paralyzed life was interrupted by a live-streaming man who always has fun in life and acts wildly, resulting in a series of fermentation processes.

A story about a karaoke-addicted old woman struggling with her self-worth and a sense of betrayal at her long-lost husband's funeral where she encounters his younger and more sophisticated girlfriend while she finds out her kids might have been secretly in touch with her late husband all these years.

After years toiling in bit-parts, an actress finally gets her break with a leading role in a spy thriller. The part is challenging, not least because it calls for explicit sex scenes, and the director is often hard on her. But both the industry and the press think the results are sensationally good.

Nearly a year has gone by since the passing of Grandma, and the Zheng family is busy preparing for memorial rituals. Hwa Jia (Crowd Lu) gets discharged from military service and happily reunites with Wei (Vera Yen). The next morning, Wei's parents catch them in bed together and flip out. Wei's angry parents confront Hwa Jia's family, and the whole meeting turns into a farcical mess. Faced with an unprecedented crisis, Hwa Jia must figure out how to save himself and his family. Part of TTV's acclaimed Qseries imprint, the quirky and moving family series A Boy Named Flora A (2017) turned into one of Taiwan's biggest television hits of 2017. The cast and crew return with more family love and laughs in the 2018 feature film Back to the Good Times (2018), directed by Yu Ning Chu. Released during the Chinese New Year period, the film follows the post-military life of protagonist Hwa Jia, played by popular singer-songwriter Crowd Lu

When Sanlian's ex-husband passes away, she discovers he has altered his insurance policy, cutting out their son in favor of a stranger named Jay.

An unlucky accident changes A-Mian's body dramatically. She might find a way to make her daughter stay with her forever. This time she is determined to find perpetual happiness.