Kôzô Ueda

A harsh youth film reminiscent of "The Last Picture Show." The last scene is the best. masterpiece.

A member of the Air Self-Defense Force learns of a crucial national secret: that conscription will be introduced to Japan. Pursued by the state, the man and his wife attempt to flee to her parents' home, but along the way they meet a carefree young man who loves movies. Meanwhile, back in his rural hometown, his father-in-law is in critical condition, but his sister-in-law neglects to care for him and instead engages in phone sex with him.

　A mother, daughter, and their fiancé are enjoying a vacation at a villa near the ocean when suddenly a trio of people - a middle-aged man, a woman, and a young man - break in. Three outsiders and three ordinary people feel what it means to "live" through abnormal behavior. All of them are antisocial. Although the outlaws seem to be repeating antisocial acts, the film makes you feel the emptiness of such acts and the director's appeal to call it a "comedy".

The heroine gives herself to a man in order to get money for overseas trips and luxuries, and the story depicts the human drama that surrounds her throughout the day.

One of the notable directors of Japan's "pink films," Kazuhiro Sano helms and stars in this erotic thriller in which an isolated resort lures a host of individuals looking to fulfill their desires and sexual fantasies. Packed with extras, the video includes an interview with Sano, bios and filmographies of the cast and crew and a feature-length commentary with writer Jasper Sharp.

The basement of the house where sculptor Takai lives. This is the studio where he creates his works. Yoko, an art critic, is tied up and hung from the ceiling by Takai. Takai beats Yoko's supple naked body with a whip. Yoko feels a perverse pleasure in the pain.

In a gritty coastal town, scandal and perverse desire ignite a relentless spiral of illicit encounters. The tale centers on Tamayo Mochizuki, a married woman whose secret trysts with her lover Yoshiyuki unfold in a secluded, rocky cove—while a group of lecherous onlookers spy with voyeuristic glee, tossing crude, provocative remarks. As passion intensifies, the rendezvous devolves into a chaotic melee of lust, sex and betrayal; what begins as daring escapades quickly darkens into brutal power plays where forbidden desire and violence blur. Amid raucous seaside parties and seething rivalries, erotic debauchery unravels in a night marked by twisted seduction, intense sexual acts, shocking coercion, and the irrevocable shattering of lives by uncontrolled, corrupt passion.

After his wife and child committed suicide, Sasaki was so shocked that he quit his job and has been living a modest life painting. Then, by chance, he meets up with an old colleague and heads to the home of his colleague's wife, Sachiko, who is waiting for him. In fact, Sachiko and Sasaki have been having an affair for a long time, and that day they have sex next to their colleague as he sleeps. Sasaki also begins to have a physical relationship with Sachiko's younger sister.

　A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience.