M G Sasi

Pining for a lavish life abroad, a lazy but lovable guy next door crafts a scam to avoid a career in nursing and find a wealthy spouse to secure a visa.

The movie revolves around the family of Aby. His wife Sara, and their daughter Riya . Aby is a bank employee. Sara was brought up in an orphanage and is lucky to have an understanding husband, Aby. When Aby gets a transfer to Kolkata, the family shifts to Kolkata where they have to encounter certain unexpected tragedies. How they face and overcome these adversaries forms the crux of the story.

Jalam is an upcoming Malayalam-language movie directed by M. Padmakumar starring Priyanka Nair in the lead role.This is an world's first charity movie, a CSR film by Aries Group directed by M. Padmakumar and produced by Sohan Roy

Brought up in polar-opposite circumstances, Bhavana and Manoj are a couple who can't appreciate each other's individuality, though there is the thread of strong love that runs through their relationship. Manoj's money chasing mentality and losing their daughter to his carelessness push Bhavana gradually to a state of mental instability. However, the couple is not ready to give up on each other yet and what happens thereafter is the film's crux.

Pithavum Kanyakayum (Malayalam: പിതാവും കന്യകയും; literally meaning Father and Virgin), officially titled in English as Daddy, You Bastard, is a 2013 Malayalam film directed by Rupesh Paul and N. K. Sajiv Menon. The story is about a middle-aged man who spends the night with a girl who happens to be his daughter's classmate. Short story writer Indu Menon has written the story while her husband, Rupesh Paul, has written the script and dialogue for the film. The cast include M. G. Sasi, director of the award-winning film Atayalangal, Krupa and Sasi Kalinga.

Oru Indian Pranayakatha is about the life of a young political leader and his association with a woman who comes unexpectedly into his life.

Ritu tells the tale of three young friends who move through a fascinating season in their lives, different from the earlier one they really cherished.

Susanna, a sex worker, earns money by being with five different men at the same time. Fortunately, the people around her do not judge her actions and find solace in her presence.

In the 1960s, Mangamma flees her small village during the Presidential rule and marries Nair. Years later, her life is thrown into further disarray when the Emergency is imposed.

Sathyanathan is condemned to death for brutally murdering four persons – two adults and two young girls – and is awaiting his final call. He shows no remorse and is just as cheerful as a man who knows he has done no wrong. In a series of flashbacks, Sathyanathan's story is revealed.