Yvette Hawkins

When Lenny and his wife, Amanda, adopt a baby, Lenny realizes that his son is a genius and becomes obsessed with finding the boy's biological mother in hopes that she will be brilliant too. But when he learns that Max's mother is Linda Ash, a kindhearted prostitute and porn star, Lenny is determined to reform her immoral lifestyle. A Greek chorus chimes in to relate the plot to Greek mythology in this quirky comedy.

Years after her Indian family was forced to flee their home in Uganda, twentysomething Mina finds herself helping to run a motel in the faraway land of Mississippi. It's there that a passionate romance with the charming Black carpet cleaner Demetrius challenges the prejudices of their conservative families and exposes the rifts between the region's Indian and African American communities.

Peter Finley is a cable-TV newsman who is led into a network of sin and conspiracy when he has interest in a missing anchorwoman's story.

When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.

Cagney and Lacey are two female New York policewomen doing their job as best they can in a male-dominated police department in this feature-length pilot that sparked the popular, long-running series.

HARLEM, USA: in the aftermath of Martin Luther King’s murder, German filmmaker Klaus Wildenhahn turned his 16mm camera on the New Lafayette Theatre as its players rehearsed scenes, ran public workshops and conducted exercises in uptown Manhattan. New Lafayette (or NLT) had been founded by actor-director Robert Macbeth the previous year, with the aim of producing theater for black people, by black people, to reflect the experiences and vernacular of the Harlem community. Within the Black Arts Movement, NLT would become a significant institution: it published the journal Black Theatre, and employed a host of talents – including the Black Panthers’ Minister of Culture, Ed Bullins, and the great pianist Junior Mance, both of whom appear in Wildenhahn’s film as resident collaborators.