Andreas C. Tselepos

Kostas is a policeman, divorced with a child and with his mother in a nursing home. He is having a hard time financially, so he often steals jewelry from the corpses he conveys to the morgue. His ex-wife, Andri, works as a cleaner but she too is struggling financially since Kostas doesn't always pay in full the alimony they agreed upon. At the same time, he maintains a relationship with Elena, who lives with her mother. One day, when he and his colleague Andreas are called upon to transport a deceased person, an elderly woman, Kostas steals a cross from the corpse and puts it with other stolen jewelry in a biscuit container that he hides in a kitchen cupboard. Things start to get complicated when Elena stays overnight at Kostas’ apartment, finds the container and makes a disturbing discovery.

The film follows Smaragda, a middle-aged woman on a journey of self-discovery. After countless failed relationships and a stagnant career, she decided to jump into social media for some notion of visibility, which she definitely sucks at.

Chara’s family is everything to her, and yet she sometimes ponders a life without them. When she strikes up a hesitant friendship with a young girl, she is inexorably forced to confront a painful past and to answer a burning question: Is motherhood a natural state of boundless love and caring, or is it an ideal imposed by society?

Follows three interconnected stories in modern day Nicosia, Cyprus: a civil engineer is blamed for the collapse of a building; a teenage girl becomes involved in a dangerous sexual relationship; two radicalized Arab women plan out an Islamic terrorist attack.

A 35 year old son, buries his 27 year old father.

In a seemingly idyllic Cypriot village, twelve-year-old Socrates finds himself in the centre of a murder investigation that exposes a dark family secret and changes his life forever.