
Catherine Allégret (born 16 April 1946) is a French actress. She is the daughter of Simone Signoret and Yves Allégret. In 2007, she portrayed Édith Piaf's grandmother Louise Gassion in Olivier Dahan's biopic La Vie En Rose (La Môme in French). Allégret has been married twice. Her first marriage was to Jean-Pierre Castaldi, with whom she has a son, Benjamin Castaldi. Her second husband is Maurice...
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Feeling nostalgic about their high school days, Hervé, Maxime, and Jordy decide to host a grand reunion party to reconnect and celebrate their 30-year graduation anniversary. However, their idealised memories clash with reality: no one wants to come, especially their former classmates Anne and Marion, who are determined to sabotage the event. For the first time, the trio face a harsh realisation – could it be that all this time they’ve been nothing but a bunch of pretentious jerks? Determined to make amends, they embark on a hilarious quest to prove to the world and themselves that they can be better men.

No plot available for this movie.

Despite her best intentions and hard work, a single mom with two sons just can't make ends meet and is forced to depend upon credit just to get by. Desperate, she can see only one solution left to save her family: stage a hold-up.

With Italian roots and growing up in the working class milieu of Marseille, he is one of the most famous French chansonniers and actors: Yves Montand (1921-1991). The documentary paints a multifaceted portrait of the star and man Montand through unpublished archive footage and conversations with companions.

No plot available for this movie.

A faithful retelling of the 1942 "Vel' d'Hiv Roundup" and the events surrounding it.

Fatal... a diminutive for Fatal Bazooka, a bling-bling and hardcore rapper. A huge music star. Millions of fans, tens of hits, 4 « Artist of the year » Music Awards of Music, a range of fashion, a magazine, and soon his own amusement park : Fataland. He is the undisputed number one, until...

A wonderful documentary that sheds additional light on the fascinating project ‘Inferno’ was, as well as how those who were involved with it reacted to it during the shooting process. A riveting adjunct to the main feature, offering a glut of interviews with various people associated with the production, and presenting quite a bit more production data, as well as some unseen footage from Clouzot's shoot.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

No plot available for this movie.
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