Chick Morrison

Anna Sewell's "autobiography" of a horse named Black Beauty is here expanded to include the adventures of the humans who surround the horse.

Lambert, a young man out to make his fortune, is out west trying to sell a gadget that can peel potatoes, open cans, pull out nails and perform other handy tasks. He comes to a cattle ranch and runs into a group of cowboys eating supper. He impresses the cowboys so much that they make him their leader, and it's not long before he's hired by pretty young ranch manager Vesta Philbrook as her aide and bodyguard. "The Duke", as he's now called, falls in love with her and sets out to help her get rid of a gang of vicious cattle rustlers that are constantly raiding her ranch.

The Big Catch is a 1920 silent Western

A man unconsciously borrows a bandit's yellow slicker and is temporarily under suspicion as a result.

Immediate Lee, employed on the ranch owned by one Masters, is discharged by the manager through the influence of one of his men, who is in the brand blotting game with Masters. Beulah, a dance-hall girl, has attracted the attention of Hurley, a brand blotter, but prefers Lee. Hurley entraps Lee and cuts his mouth open with a wide gash, which leaves a permanent scar. Lee vows vengeance and follows the man all over the country. He at last meets him face to face, but Hurley is saved by the intercession of Beulah. He later is killed in a fierce encounter. The brand blotters are discovered and punished by the aid of Immediate Lee, and Beulah receives the reward of loyalty and devotion by becoming Lee's wife.

John Dale runs a small, decent road house on a main trail between distant towns. Nell is his right-hand man. Nell has a half-witted brother, Zeb. She keeps their house and tends the small bar in Dale's absence. Zeb is trusted only with simple, odd jobs about the place. Nell is self-reliant and well able to hold the guests of the place at their proper distance. She is devoted to her incompetent brother. Bart Trevis and young Remsen are rivals for her favor. Trevis is favored and Remsen is not. Through circumstantial evidence Trevis is involved in a crime, Though innocent, he dare not risk standing trial. He escapes to the road house, tells Nell of the fix he is in and asks her to jump the country with him. He remains hidden there for the day, Zeb nearly betrays him while the pursuing sheriff and his son also stop at the road house. But in the end Zeb makes a supreme sacrifice and Nell runs away with Bart at nightfall.

Matchin' Jim comes to the "Flying A" ranch and is employed as one of its cowboys. His name is well justified, as he has a mania for matching coins. Not far from the ranch lives Ellings, an old placer miner. He has a daughter, Phyllis, whose sole delight in life seems to be in caring for a puny rose bush that she has planted at the side of her father's cabin. By diligent nursing she has managed to bring it to such a stage that it produces a single blossom. As Matchin' Jim is wandering near the cabin one day, hunting, a wild shot from his gun narrowly misses Phyllis and cuts from the rose bush its one lone flower. She calls to Jim, and when he comes to her she points out the damage that he has done. But Jim only grins and tells her that he'll match her to see whether she is going to be mad at him or not.

A silent melodrama from the very first series of American films to use a Japanese cast. The scenes of the story are laid in Japan during the last revolution in the late '60's.

Back in '65 there was an old Southern fire eater, Pennington, and his daughter, Lucille, fell in love with Carr who was then a lieutenant in the small Yankee force that arrived in their city at the base of the mountains. When the confederacy fell, Pennington fled into the mountains with his daughter, rather than submit and there buried himself in the same place where Carr now lived with Rosemary. Several years passed and Lucille did not forget Carr, her Yankee lover. It was then that fate brought them together and old Pennington finally consented to the marriage, exacting a promise from Carr, not to take Lucille away from him and her mountain home.

The dying mother, tells her only child, an orphan, of the wealth and power of her family and of her royal blood.