Julio Torresoto

The film is set in the island of Puerto Rico. Because of its central location in the Caribbean, the island has become one of the main ports of drug entry from South America into the United States. The film follows the lives of three families in different levels of society affected by drug trafficking and crime in the island.

El cimarrón is a love story about a young African couple, Marcos and Carolina, that takes place in the slavery era at the turn of the nineteen-century in a Caribbean island. After several futile escape plans, Marcos finally escaped. Now free, he returns to liberate his beloved Carolina.

Three stories ("Lo mismo de otra manera", "Félix", and "Te tengo una sorpresa") that delve deeply into issues such as human solidarity, infidelity, and social conflicts in contemporary Puerto Rico.

Dramatization of the life of Puerto Rican poet Luis Palés Matos.

A realistic look at the life of a young immigrant man who comes to America with the hope of dancing on Broadway.

A professional rum-taster must negotiate the paths of love, superstition, and magic to regain his lost powers.

Alba is a mystic who lives in an underground apartment. A plumber named Carlos is visiting her when a disaster causes the building to collapse, trapping both of them.

Sequel to Juan Orol's "Organización criminal". After 6 years in prison, gangster Tony Florino is released from custody. He repeatedly makes it clear he didn't snitch in exchange for a reduced sentence, but was given time off for good behavior.

A small town celebrates the triumph of their revolution. Under the euphoria of the moment, the town's founder is declared a traitor and the destruction of his statue is decided by the people. A journalist buys the statue before it is destroyed. Later, the townspeople discover that the statue isn't from who they thought it was and they decide to retrieve it. The journalist, however, doesn't want to give it back, giving rise to the dilemma.

In the community of Vega Alta, Puerto Rico, the main character, played by the esteemed comedian José Miguel Agrelot, buys a washing machine for his wife. However, the town has no electrical power. The movie’s depiction of the jíbaro as naive and comical created a rift among the DivEdCo personnel, especially its community organizers. It was censored by the government and shelved for many years.