Jeremy O. Harris

While on vacation in Poland, Bethany breaks away from a romantic itinerary planned by her doting boyfriend, Rob, fearing that a marriage proposal is imminent. Reuniting instead with an old friend, Nel, the two women rekindle a uniquely combustible chemistry over the course of a few days in a chaste but burning tryst predicated on sapphic synchronicity and a mutual penchant for poetry.

After a disturbing event, Yvonne drives down to her friend Camille’s bucolic new home for some time away. She’s welcomed by A.J. and Isaac, two new friends of Camille, who also maybe live there. The group promises a weekend of homemade meals from fresh, local produce and parlor games by candlelight. But when Yvonne develops troubling symptoms from a tick bite, the rural paradise fades away revealing a breeding ground for a disturbing new life.

During a star-studded charity gala brimming with celebrities, billionaires and empty speeches, a movie star in the midst of an existential crisis is taken hostage by a radical warrior and her devoted followers. As the night descends into chaos, both an inward journey and an outward adventure ensue, where the line between performance and belief, salvation and sacrifice, begins to blur.

A playful and illuminating self-portrait of writer Jeremy O. Harris as he workshops and mines Slave Play, the provocative play that thrust him into the spotlight, with a new cast of young actors from New York’s William Esper Studio.

The Life of Sean DeLear is a vibrantly multi-faceted, buoyantly propulsive documentary portrait of this irresistibly charismatic one-off — sketched in celebratory but commendably clear-eyed style by writer-director Markus Zizenbacher. There can be very few people better qualified to do justice to this particular tale. Zizenbacher befriended DeLear — born Anthony Robertson in Simi Valley, an obscure California backwater — after the latter relocated to Vienna in the early 2010s.

A high school senior from South Carolina gets her first glimpse of the wider world, picturesque cities, and woods of the Eastern seaboard on a class trip to Washington, D.C.

A quarter century ago, Jonathan Larson’s groundbreaking musical, RENT, opened at New York Theatre Workshop. From its humble beginnings at NYTW, this rock musical went on to shape a generation. What began in the East Village traveled to Broadway, across the nation and around the world. On March 2, 2021, NYTW held its biggest fundraising event of the year, 25 YEARS OF RENT: MEASURED IN LOVE. This virtual celebration of RENT and its impact on the collective cultural consciousness featured a selection of iconic songs by some of today’s most beloved recording and theatre artists, exclusive content uncovering how RENT came to life, and reflections on the driving force of Jonathan’s legacy in the American theatre.

Spit Earth: Who Is Jordan Wolfson? is a feature documentary film about this controversial and divisive artist who in the ensuing five years has only solidified his stature with unnerving and provocative new works that elicit extreme reactions from both critical naysayers and vocal proponents alike. Wolfson is not content to play by the rules of a conservative self-policing art market that favors the status quo, instead preferring to make us squirm as he engages a host of lightning-rod issues facing our society today; homophobia, misogyny, racism, white nationalism, antisemitism and violence to name but a few. Wolfson is an art maker on the world stage whose immersive works take on today’s endemic virtue signaling and politically correct narratives, veritably throwing it all back into our faces.

An all-star livestream benefit performance of scenes from Angels in America in support of amfAR’s Fund to Fight COVID-19.

Ouverture of something that never ended follows Gucci's new collection presentation.