Lorna Ishema

In order to get her dream apartment, party-loving Nina has to score points with a particularly family-friendly landlord. To do this, she borrows her sister's kids without further ado.

Daniel is a singer who became famous overnight thanks to one song. But for the aspiring artist, the dream of fame was short-lived: his song turned out to be a one-hit wonder, and Daniel fell into a deep depression when his subsequent songs failed to connect with audiences. Daniel soon finds himself with few options left – he wants to end his life. However, his suicide attempt fails and he ends up in a secure psychiatric ward. He is allowed to leave on one condition: he must use his music to make a group of depressed people happy.

A man sees the dark side of the time-manipulating biotech company he works for when a crushing debt forces his wife to give up 40 years of her own life.

In this dystopian world set in the near future, everyone’s reputation is measured and visible. Your “Karma count” defines you, as Cee soon discovers. Victim of a sexual assault that goes viral on social media, the young graphic designer becomes more ostracised as she fights back.

Andi's life is a constant battle for his home, his three children and the woman he still loves. He only has two weeks to pay her back the borrowed 5,000 EUR. When he loses his job, an amateur boxing tournament looks like the only solution.

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.

Why has the German film and television industry so far not found a natural way of dealing with people with a migration background? The documentary "Kino Kanak" begins a complex search for traces.

A bag with over 600,000 euros in cash, just like that in a towed car: When Maren, who works at a car depot, finds the bag, she cannot resist the temptation. She takes the money for herself. Her husband Dennis is shocked. But he is in a wheelchair after an accident. It will be a long time before he can walk again, and whether the insurance will pay is uncertain. The unexpected money is a blessing and gives Maren and Dennis a real perspective.

A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.

It's perfect pandemonium when Bibi and Tina meet a runaway boy with an attitude problem, who turns out to actually be a girl, named Adea. Adea‘s uncle is so narrow-minded and stubborn that even with all her magic spells, Bibi can't manage to get the two to reconcile. Meanwhile, Falkenstein Castle is being renovated, which is driving the Count to his wits' end. Especially since Alex is planning to hold a music festival at Falkenstein and is determined to go through with it over his father's objections. And if all that was not enough, Tina gets kidnapped. Despite the complete chaos, one thing is clear - in the end, real change comes from everybody working and pulling together, not by magic.