Monami Ghosh

The film follows Mrinal Sen in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.

Arati Sarkar suffers from Alzheimer’s disease. The family realises that they are gradually losing her. They celebrate the bond that parents share with their children and other members of the family.

In the world of Haami, there's no anger, rivalry, talking bad, feeling low; there's only joy uninterrupted. The sequel focuses on reality television shows which often create undue pressure on children.

Meghla, who after years discovers that her grandmother had been killed in her ancestral home in East Pakistan by a trusted retainer of the family. And many years after the tragedy, she visits Dhaka to trace her roots and faces the murderer's family who now occupies her house. Maati traces Meghla's trials with truth and humanity while tackling issues of migration, human displacement, and relationships.

Amit, a Bangla band musician, halts his bohemian dreams of making music in Kolkata, to exile himself to corporate slavery in Mumbai hoping to one day declare his feelings for his best friend Labonya.

A story of relationships that explores the intricacies of the married life, of life-long companionship, of promises and expectations and love.

Arko is a school student who forms a beautiful bond with his teacher, Nayanika. It is more of a relationship between two friends rather than a student-teacher relationship.

A young director listens to a hilariously scary story narrated by a stranger, where a group of ghosts try to save the only place they can haunt in peace.

A remake of the original Bengali movie

Joy's parents are busy searching for a suitable match for him, but are cheated by matchmakers. Meanwhile, Joy falls in love with an air-hostess who doesn't show interest in him. Will Joy convince her?