
From Wikipedia, the free encyclopedia Keye Luke (Chinese: 陸錫麒, Cantonese: Luk Shek Kee; June 18, 1904 – January 12, 1991) was a Chinese-American actor. He was known for playing Lee Chan, the "Number One Son" in the Charlie Chan films, the original Kato in the 1939–1941 Green Hornet film serials, Brak in the 1960s Space Ghost cartoons, Master Po in the television series Kung Fu, and Mr. Wing in th...
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A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.

KEYE LUKE is a short film bio-pic about pioneering Actor and Artist Keye Luke, the first, original on-screen Kato in the 1940s Green Hornet decades before Bruce Lee and also the All-American "Number One Son" in the popular Charlie Chan films of the 1930s.

A compilation of several Battle of the Planets episodes with a new story and uncut death scenes.

Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!

Alice Tate, mother of two, with a marriage of 16 years, finds herself falling for a handsome sax player, Joe. Stricken with a backache, she consults herbalist Dr. Yang, who realizes that her problems are not related to her back, but in her mind and heart. Dr. Yang's magical herbs give Alice wondrous powers, taking her out of her well-established rut.

Police chief Xavier Quinn investigates the gruesome murder of Donald Pater, one of the wealthiest residents on a Caribbean island. He was found decapitated in his Jacuzzi. Although the local political establishment, especially crooked Governor Chalk, insists that small-time thief Maubee is responsible, Xavier has his doubts. This view is complicated by the police chief's personal history with Maubee: The men have been friends since childhood.

Detective Roger Mortis is killed in action while investigating a string of mysterious robberies: until he's brought back from the dead with a chemical company's secret re-animation technology. Now he has twelve hours to solve the case of his own death before he dies: And stays dead.

In his travels, Caine meets up with an old man who has several surprises for him. The first being the destruction of the Shaolin order, the second being that the man is the father of the Emperor's nephew whom he killed in China, and the third is that he seeks his revenge using the son Caine never knew he had sired as the instrument of his death. It will take all of Caine's skill and wisdom to find a solution to this deadly predicament.

Two friends discover a plot to fix a horse race and try to capitalize on it, but soon have to deal with the two men who fixed it, the police investigating it, and the mob boss whose amorous wife is mixed up in it.

Deconstructing the myth of Oedipus within the framework of an ancient Japanese folk story, the Yonemotos craft a highly charged discourse of loss and desire. Quoting from Bunuel, Freud, pop media and art, they place the symbology of Western psychosexual analytical theory into a cross-cultural context, juxtaposing the Oedipal and Kappa myths in a delirious collusion of form and content. The Kappa, a malevolent Japanese water imp, is played with eerie intensity by artist Mike Kelley; actress Mary Woronov plays Jocasta as a vamp from a Hollywood exploitation film. Steeped in perversions and violent longings, both the Kappa and Oedipus legends are presented in highly stylized, purposefully "degraded" forms, reflecting their media-exploitative cultural contexts. In this ironic yet oddly poignant essay of psychosexual compulsion and catharsis, the Yonemotos demonstrate that even in debased forms, cultural archetypes hold the power to move and manipulate.
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