Petr Skvortsov

Petya and Vova are oceanographers in their class, and while Petya was taking an academic leave, Vova had already received an offer to work in China. Petya comes to say goodbye to his friend before leaving and meets many strangers at the party. For some reason, the only one missing is Vova's neighbor Zhenya.

Four friends from a provincial mining town receive an order from "above" to intimidate and drive away a visiting blogger from the capital, who intends to highlight local environmental issues and raise the issue of a brown coal fire in a local open-pit mine. But from the very beginning, everything goes wrong for them: lateness, alcohol, arguments and inexperience make their own adjustments, and they themselves find themselves under fire.

Dina is a young Russian filmmaker working on a film about Stalinist repressions and the massive intergenerational trauma they caused that continues to resonate in modern-day Russia. Together with her friend Johan, a German sound designer whose grandfather went missing in the USSR during the Second World War, she embarks on a journey to the former Soviet labour camps. Almost deserted, the abandoned lands of Gulag still bear traces of those who perished there. Although this trip becomes somewhat therapeutic for the two of them, it also puts their relationship to the test.

Before his death, Pasha's father asked to scatter his ashes in his homeland, in Uzbekistan. Kolya is ready to fulfill the last wish of the pope at all costs - even if all the relatives are against it.

Office clerk Maxim witnesses a car accident. The affected girl is experiencing clinical death, which lasted 4 minutes. After her “return”, Maxim’s life changes dramatically: all his dreams are realized with the help of a girl’s mysterious gift. How far will Maxim lead his desires?

An avant-garde adaptation of the play by Georg Buchner about the last days of the Dantonists, representatives of the right wing of the Jacobins during the French Revolution. The director freely experiment with form and content, draws parallels with the present day and raises the question point-blank: why does the revolution, like the ancient Greek titan Kronos, always devour its children?

In 1944, a courageous group of Russian soldiers managed to escape from German captivity in a half-destroyed legendary T-34 tank. Those were the times of unforgettable bravery, fierce fighting, unbreakable love, and legendary miracles.

They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of answers to their questions, they devour themselves like a chemical substance that corrodes the world around, in order to eventually learn not to listen but to hear, not to look but to see. And to find their way.

No plot available for this movie.

A story about two Moscow young girls one of them is trying to become an architect and other is a beginner singer.