Ozan Uygun

Müzeyyen is a 22-year-old high school senior living in Antalya who spends most of her time with a posse of misfits. She lives a drug-fuelled, highly troubled life outside the norms of society. When her long-lost brother Ali decides to visit her during winter break, everyone's life is tested, each with different consequences.

Hatice, who was considered unlucky by everyone, finally found the love she was looking for and married Tahsin. On their wedding night, the newlyweds rush back to the village upon hearing the news of Tahsin's father's death. The announcement of his father's will causes everyone a second shock, as he had left his entire estate to Tahsin. Tahsin's relationship with his siblings and the villagers, which was already strained, deteriorates further after this news. However, there is a buried treasure that no one knows about, and the siblings set out to find it. Tahsin and Hatice, on the other hand, decide to use the inheritance they have been left with in a surprising way after everything they have been through.

In a small Turkish town, two young tuberculous poets try to survive while publishing their poems. As they both fall in love, their life would never be the same.

Ozgur is a young woman who is the daughter of a refugee family fled to France. She is born and raised in Paris. After her father Huseyin's death, she comes to Istanbul to fulfill Huseyin's last wish. He wanted to be buried in his own country. But because of September 12 military coup d'etat period, Huseyin is no more a Turkish citizen. So this happens to be a great obstacle for Ozgur. This will force Ozgur to a journey both in Istanbul and herself. In this journey Ozgur will meet with her father's and mother's relatives who are completely different people. Most importantly she will meet with Ferhat who will deeply effect her. This journey will become a confrontation with themselves and 2011's Turkey for Ozgur and Ferhat.

“Hür Adam” or “Free Man” in English is the real-life story of a very influential Kurdish scholar in Turkey that had lived between 1877-1960, 'Said Nursi'. A writer, philosopher, and philanthropist, he compiled many books on Islam covering various themes of faith, brotherhood, and philanthropy and exploring the reasons behind societal weakness, poverty, ignorance, and divisions.

Two friends originally from Izmir-Eşrefpaşa have settled in Istanbul… While Tayyar (Hüseyin Soysalan) has become a mafia leader based on his passion for power and ruling, Davut (Turgay Tanülkü) has been managing a café in his small neighbourhood. Both have loved the same woman, Madam Eleni (Sermin Hürmeriç). But she had to get married to Tayyar despite her love for Davut. She also had a daughter called Duygu (Deniz Özpınar). However, Tayyar, knowing that Eleni’s heart belongs to Davut, leaves Eleni and his daughter alone. Tayyar, continuously looking for ways for revenge, finally finds it in convincing Nusret (Burak Tarık), Davut’s adopted son, to choose his dirty way. Nusret, the tough-guy of the neighbourhood gets into a big dilemma since he couldn’t make a choice between his girl as well as the people he loves and money and power.

Tarihci Dede is giving information to a couple of children about Mustafa Kemal Atatürk's success and his way to shape todays Turkey.

No plot available for this movie.

While Semra and President Ahi are reading their local newspapers at the Boğaz Körler Derneği (Boğaz Blind Association), an interesting development takes place that will change their lives. The ministry has sent a fax announcing its intention to participate in the Chinese Paralympics. This fax causes quite a stir among the association members. While jokes about choosing sports like oil wrestling and weightlifting continue, Zeki, who has grown up with the help of the association members, utters the word "football" with the desire to be like the sighted children constantly running around with a ball, which seriousness the topic. The proposal is "Rattling Ball," or in other words, a football team for the blind.

In an apartment building where neighbors, friends, and family are living in close quarters, three male protagonists encounter three phases of manhood in Turkish society. Directors Reha Erdem's light touch and slyly amusing style do not miss the opportunity to illuminate some serious points in a strictly patriarchal society.