
Stefania Rocca was born on April 24, 1971 in Turin. She is best known for her roles in the films Nirvana (1997), The Talented Mr. Ripley (1999) and Dracula (2002). Rocca also was the lead in Dario Argento's The Card Player. Among her most recent appearances, she was in Alessandro D'Alatri's comedy film Commediasexi where she played the main character, Pia Roncaldi. She starred as Hannah in the 199...
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In the film, the disabled children, empathizing with their director, will try to solve the anxieties and fears of well-known characters who turn to them, looking for them in the most diverse places in the city. Professional actors will confess with irony and sincerity their tics and their manias hoping that these "psychiatric tutors" will be able to solve them thus facing problems and disorders that affect the daily life of each of us. The film wants to reveal with lightness, originality and with a surreal and tragicomic irony high psychological and social contents with the aim of staging a different way of seeing and facing the problems and difficulties, physical and mental, that we all try to overcome and improve in different ways.

The daring story of two friends, with a common musical past and a future to be written.

The rise and fall of a blind artist who has the extraordinary gift of making true-to-life portraits just by listening to human voices, and of becoming a TV-junk star. A fable on the need to rediscover the miraculous power of dignity in a world where media's noise has solved the problem of man's imperfection simply by removing the problem itself.

At dawn Marta will have to leave for Dubai carrying with her a large load of diamonds. She would like to share the night with Bruno, her new partner, opposed by her daughter Elena and her sister Giulia. The two lovers should be alone, but their peaceful evening suddenly turns into a nightmare.

Benito Mussolini resurfaces in Rome 72 years after his death, as if not a single day had passed. Finding a country still full of problems, both old and new, his firebrand rhetoric wins him once again the hearts and minds of millions of Italians — who see him as a wacky reenactor who speaks inconvenient truths to power.

On business trip in Milan, Bavarian architect Max Hauser falls in love with strong-willed waitress Bianca, who is fired for speaking up to his rude colleagues. When he proposes, she runs, but he traces her to Rome, where he finds she's actually the multi-titled rebellious daughter of impoverished prince and count Vibaldo D'Arcadia and his snobbish silver spoon wife Gioia, who inhabit a stunning but slowly derelict renaissance palace. When Max asks for her hand, she hastily accepts, and after getting the matriarchal blessing of the countess-mother Donna Costanza, Max invites his parents, egalitarian dentist Walter Hauser and wine merchant Eva and Zahnarzt to attend his socialite wedding. Max is not amused to find his father cornered by his mistress, flight attendant Xenia who demands Waleter's divorce, a secret they will painfully fail to keep under control, yet the parents refuse to spoil their son's wedding, but the palatial maid gets wind of half the story and confides into the ...

A divorced couple fights for the custody of their three children: neither of them wants it. Mom wants to leave them to dad, and vice versa.

No plot available for this movie.

Italian comedy

Antonio, an honest citizen, seeks his revenge against Simone, a dishonest politician. Antonio initially wanted to report him but then, knowing Italy, a country in which the justice process is very long and uncertain, he decides to take revenge in another way: he discovers that his enemy has hidden the proceeds of his misdeeds in a Swiss bank and decides to organize a hit to get back what was stolen from him. To accomplish the feat, Antonio sets up a small gang, made up of non-professionals who have only one thing in common: they too have been defrauded by corrupt politics. The heist takes place in Zurich where the bank in which Simone hid the money is based. With a series of unpredictable consequences, and with a funny substitution of people (Antonio and his wife pretend to be Simone and his partner), a comic clockwork mechanism starts. And the heist begins.
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