
Hamid Reza Azarang is an actor and writer, known for Once Upon a Time in Abadan (2021), The Queen (2012) and Inadaptable (2016).
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A documentary about the history of Esteghlal F.C. From Docharkheh savaran to Taj, to Esteghlal.

The story of life of Gholam Reza Takhti from his childhood till adulthood, his matches and finally his death.

The pilot, Vahid, reportedly brought his four-year-old son to Tehran for cardiac surgery without his permission. He and his brother Saeed arrive in Tehran on a timely basis, and this is the beginning of a complex crisis between them.

The resistance of Ammar battalion in Abughoraib strait at the last days of Iran-Iraq war.

A divorced couple have to go on a trip for the mental health of their only daughter after three years. During the trip, the truth of their past lives are revealed, facts that have led to their separation. The health of their child hangs in the balance as they continue their confrontations, potentially jeopardising their new relationships and their futures.

The narrator lives in a savior who lives in Mashhad, and his job is to steal from the pilgrims of the shrine of Imam Reza (AS), through which he has lost his life, but ultimately, those who lose this story will overcome the stories of the film...

A woman escapes from her husband's beatings while her daughter enters the house. The girl noticed the fight between her mother and father, and after saying no, she went with her father to the city to find the fugitive mother.

Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.

The story of a young poor aspiring filmmaker who is trying to raise money to make a short film about a man who stops trains while having to deal with family issues such as his mother's illness.

A non-traditional wife and mother, Azar (Karimi) is first seen racing her dirt bike over a hilly track while her husband Amir (Azarang) and young daughter cheer her on. Co-equal with her liberal-minded husband in marriage and in their fledgling business venture, a café with a thriving carryout trade, she is forced to meet an unequal challenge in which the strict pecking order of a family dominated by misogynist uncle, a business loan with strings attached, a black sheep son with a hidden agenda, and a tragic accident add up to a scenario in which Azar is targeted as the unwilling sacrificial victim. (Gene Siskel Film Center)
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