Nicolai Gedda

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

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A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.

This is the historic concert performance of the final operatic version of Bernstein's Candide. It was recorded on December 13, 1989 at the Barbican Centre, with Leonard Bernstein conducting the London Symphony Orchestra and Chorus, with a stellar cast of operatic stars gracing the solo parts. The programme lasts a full 2hrs 27 mins. It marks the end of a long and tortured journey for the musical/operetta that spent much of its first 35 years as an orphan in the musical wilderness.

In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

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This MET production of Bedrich Semtana's classic folk opera boasts a superb cast, including Nicolai Gedda, Jon Vickers, Teresa Stratas, and Marti Talvela. The staging and mis-en-scene is traditional and very well done. Everyone seems to be enjoying this presentation. Although not to the same standard as today's HD productions, this is still a wonderful way to get to know this delightful opera.

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

The world of an operatic singer is documented in a film portrait of world-renowned Swedish-born tenor Nicolai Gedda. One of the greatest singers of his day, Gedda has recorded more than 80 record albums of opera, operetta, oratorios, and recitals. The documentary follows Gedda in rehearsals and performances in New York, San Francisco, and in European cities, as he tells about his life as an opera singer, relating the personal satisfactions and frustrations of being an opera star and traveling around the world.

Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.