Kodayu Ichikawa

1961 Japanese film about the Shinsengumi.

Umon’s services are called upon when innocent bystanders, Kayo and Minokichi, along with the ronin, Gontaro are mistakenly identified as suspects in several recent murder cases. To prove their innocence and uncover the truth, Umon launches his own investigation.

Kinnosuke of Toyama sets out on a private mission to clear his father’s name for a crime he did not commit.

Detective Hanshichi (Kataoka Chiezo) solves 3 mysterious murder cases. Great story and an impressive all-star cast, a must see!

No plot available for this movie.

One of the great stories from Japan’s rich history comes to life in this true tale of the bloody showdown between two rival yakuza gangs in the 1840’s. The battle between Boss Sukegoro of Iioka and Boss Shigezo of Sasagawa has been portrayed many times, most notably in the first Zatoichi film, where the blind man befriends the tubercular ronin Hirate Miki, before cutting him down in one of the great duels in cinema history. This all-star extravaganza pulls out all the stops, with appearances by virtually all of the great actors and actresses from Toei’s studio at the time. Ichikawa Utaemon’s portrayal of the kind-hearted, noble yakuza boss Shigezo of Sasagawa contrasts sharply with the devious Sukegoro of Iioka. Corrupt as he may have been, his men were all willing to give up their lives for him.

Featuring some of the finest swordsmen ever to grace the silver screen, this Toei classic tells the story of a battle between the evil sword style called ”Otonashi” (The Silent Form) and the proper way of swordsmanship as promoted by such historical stalwarts as Shimada Toranosuke, and the mysterious Honda Sakon, who face off against a group masquerading as the lord of Mito and his traveling bodyguards Suke-san and Kaku-san. The plot thickens as their leader unveils his secret plan to disrupt the stability of the nation. It is all in the name of swordsmanship, and as the title implies there are no stronger swordsmen!

The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute, and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).

Tasuke stumbles across Kokichi, a distraught man whom having lost his fiancee to Lord Kawakatsu is ready to commit suicide. Tasuke learns that Kokichi's fiancee, Otoyo, was a chambermaid whom Kawakatsu abducted in order to make her his concubine and Tasuke feels compelled to right this wrong. Meanwhile Kawakatsu is dealing in black-market lumber and receiving kick-backs but unbeknownst to him he is under investigation by Lord Izu, one of the Shogun Elders. Will Tasuke be able to rescue Otoyo from the clutches of Lord Kawakatsu and can Lord Izu put an end to his money hungry evildoings.

The Shinsengumi is a special unit of ronin commissioned by the Tokugawa shogunate to counter anti-shogunate activities in Kyoto. A sinister plot to overthrow the shogun is set in motion and Kondo Isami and his fellow samurai must answer the call and expose those behind it.