
Kenneth Charles Loach (born 17 June 1936; Nuneaton) is a British film director, screenwriter and producer. His socially critical directing style is evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966), and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Kenneth Charles Loach was born on 17 June 1936 in Nuneaton, Warwicksh...
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Ten years after the first documentary, the legend of the Palme d’Or… continues. Some new laureates of the Cannes trophy relive, for us, the very special moments surrounding the awarding of the Palme d’Or.

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Produced by award-winning Platform Films, this documentary examines how the truth is being censored in the mainstream and social media, in education and education and entertainment and how terrorism law is being used to silence dissent. With contributions from Ken Loach, Peter Oborne and Sarah Wilkinson.

In 2017, with the support of an extraordinary grassroots movement, British Labour Party leader Jeremy Corbyn came close to becoming prime minister. The establishment trembled. Britain stood on the threshold of huge political change. But within three years all, it seemed, was lost. What happened and why?

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

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Part music documentary, part unflinching character study, part a punk version of ‘A Christmas Carol’ - I Get Knocked Down is the funny, surreal, and deeply human untold story of Chumbawamba and its ex-front man Dunstan Bruce.

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

This film sketches a very personal and decidedly political portrait of the Iron Lady who left the greatest mark on the UK, alongside Queen Elizabeth II. Archives and interviews are enriched by songs from this period that really help to understand the social atmosphere of that time.
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