
Beth Orton (born Elizabeth Caroline Orton, 14 December 1970) is a BRIT Award–winning English singer-songwriter, known for her 'folktronica' sound, which mixes elements of folk and electronica. She was initially recognised for her collaborations with William Orbit and the Chemical Brothers in the mid 1990s. However, these were not Orton's first recordings, she had released a solo album, Superpinkym...
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A survivor, provocateur and true original, Marianne has spent more than six decades defying expectations — releasing over thirty-five albums while constantly reinventing herself. Made with her full involvement, Broken English is an intimate and unflinching exploration of a fractured yet unbreakable life shaped by fame, creativity and relentless public scrutiny.

The complex and revolutionary music and lyrics of Marc Bolan and T. Rex, the glam rock powerhouse behind “Bang a Gong (Get it On)” and other iconic songs. Featuring archival performances and interviews with Elton John, Ringo Starr, and David Bowie, plus filmed musical interpretations by artists such as Nick Cave, John Cameron Mitchell, Joan Jett, Macy Gray, U2, and Father John Misty.

A subtly nuanced drama that explores the toll that physical and mental illness can have on a family.

550 artists were interviewed over ten years. At some point during those interviews, they were asked a question and told to answer with one word only. Some stuck to one, some said more, some answered quickly, some thought it through, and some didn't answer at all. That question… Lennon or McCartney?

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Abattoir Blues/The Lyre of Orpheus (originally released in 2004). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

Inspired by musician and eco-philosopher David Rothenberg's book of the same title, this documentary explores the intriguing, charming, complex and often conflicting theories on why birds sing like they do and why humans are so attracted to the sound. The film features contributions from musicians including Laurie Anderson, Jarvis Cocker and Beth Orton; enlightening and often startling analysis from some of the world's most eminent birdsong scientists; a literary guide to birdsong in poetry; a bizarre birdsong-themed art 'happening'; the creation of a new musical composition from the Afro-Celt Sound System, entirely made up of manipulated birdsongs; and a strange musical duet at New York's Bronx Aviary, featuring humans and birds.

The Old, Weird America tracks the history of the Anthology of American Folk Music from its initial compilation of 78 records from rural Americana to its 1952 release on Folkways Records, the urban folk revival of the 1960s, and its continuing influence on contemporary music.

Poet, singer / songwriter and ladies man Leonard Cohen is interviewed in his home about his life and times. The interview is interspersed with archive photos and exuberant praise and live perfomances from an eclectic mix of musicians, including: Jarvis Cocker, Rufus & Martha Wainwright, Teddy Thompson, ANOHNI, The Handsome Family and U2's Bono and The Edge.

This honest and often blackly hilarious film shows Martyn at home in Ireland, during the lead-up to and aftermath of an operation to have one of his legs amputated below the knee. Contributors include sometime collaborator and buddy Phil Collins, the late Robert Palmer, Ralph McTell, Island Records founder Chris Blackwell, fellow hellraiser bassist Danny Thompson, John's ex-wife Beverley Martyn and younger generation fan Beth Orton. We see a man incapable of compromising his creative vision, from his folk club roots in the Sixties, through a career of continuous musical experimentation. Along the way there is a surreal roll-call of accidents and incidents, including a collision with a cow
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