Don Anderson

A woman seduces a professional golfer, then offers to kill his opponent if the golfer will kill her psychiatrist, who wants her committed.

After 17 years of marriage in American suburbia, Richard and Barbara Harmon step into the new world of divorce.

The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.

After a hasty wedding, Carter and Toni find that they disagree on everything. They separate and seven years later, on the eve before their divorce, meet again and spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on — until Carter finds out that an important promotion hinges on whether he's married.

After a blackout in his office building, accountant David Stillwell emerges outside to find out a man he did not know either jumped or was pushed out a window to his death — and that he can't remember the past two years of his life. Enlisting the help of a rookie private eye and a reluctant old flame, Stillwell uncovers the mystery detail by unexpected detail.

Lucky Jackson arrives in Las Vegas with his car literally in tow ready for the first Grand Prix — once he has the money for an engine. He gets the cash easily enough but mislays it when the pretty pool manageress takes his mind off things. It seems he'll lose both race and girl, problems complicated by rivalry from womanizing fellow racer Elmo Mancini.

When a hypochondriac assumes that he is dying, he makes an elaborate plan to ensure his wife's happiness. However, trouble ensues when she misunderstands his intentions.

A hapless husband takes a back seat to his wife, the first female president of the United States.

A four-time widow discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.

After reluctantly packing up his daughter, Mollie, and sending her away to study art at a Paris college, Frank Michaelson gives new meaning to the term "concerned parent." Reading Mollie's letters describing her counter-culture experiences and beatnik friends, Frank eventually grows so paranoid that he boards a plane to Paris to see firsthand the kind of lessons his daughter is learning with her new artist amour.