Swarna Mallawarachchi

The film follows Dr. Manorani Saravanamuttu's relentless pursuit of justice after the tragic abduction and murder of her son, Richard de Zoysa, a journalist, writer, and human rights activist, in 1990.

When an alluring young undergrad becomes infatuated with her nearly retired professor, she stirs up the man's humdrum home life in a most unusual way.

Three friends embark on a journey to a land that was once forbidden but a sudden encounter forces them to return to yet another land of turmoil and terror.

This film indicated the formation of a cinematic language consisting of hyper-realistic images. The film won the award for Most Promising Director at the Critics' awards in 1994. It was also awarded Best Film, Best Director, and Best Screenplay at the 1998 OCIC awards.

Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

Suwisal has turned 40. He's a forgetful businessman, a philanderer, indifferent to life around him, including his young and lovely fiancée. A visit to the house of his childhood triggers memories that continue to cascade when he is called for jury duty to hear the case against Piyum, a servant he seduced and abandoned 20 years before. Now a prostitute, she is on trial for murder.

An illiterate and sexually frustrated young man finds himself attracted to a chic woman from the city who has come to his rural village as a school teacher.

This European thriller, set in Sri Lanka, attempts to expound upon the philosophical implications of life, death, and memory. JB, an academic famed for his studies of oriental culture and alcoholic who has never recovered from his wife's suicide, returns to Sri Lanka to translate a book written on glass. It is supposed to contain Buddha's discourse upon memory. While he is there, an attractive nurse, Julia asks him to assist a young boy who wants to locate his father who is now living in a Tamil-occupied area. The Tamil terrorists will kill any trespassers. Compounding JB's conflict in deciding to go is that his former home where he lived with his wife is in that area. Unbeknownst to him, the boy is really a Tamil spy.

A semi-autobiographical account of a move from Sri Lanka to Britain, which explores "being inbetween East/West, mother/father, male/female". The filmmaker was born in Sri Lanka and brought up in the traditions of European culture and Roman Catholicism. He moved to England to live and work, and the film, which combines drama and documentary, is a personal account of his "negotiation of his personal history".