Gyrd Løfquist

A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.

A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

In 1218 Danish king Valdemar sends his homonymous young son and heir in safety, as war is at the borders, to Erskil, the bishop of Ravensburg, who is instructed to see to the prince's education. Alas the bishop is the brain of a conspiracy to seize the crown for himself, as most of the nobles are dissatisfied with the endless wars that bring them no profit. The prince and kitchen-boy Aske accidentally fall out of the castle and overhear the conspirators, but are seen and pursued by the men of the One-eyed Man, a feared mercenary who is in the conspiracy to take mortal revenge on the king for leaving him behind on a battlefield where he lost an eye which was eaten by an eagle, which he tamed and now shares his sight with. Written by KGF Vissers

The story of thirty something florist Hannah who lives her life on her own terms until she encounters the young Per and he offers her a new perspective on life.

Martin, a law student, takes up a job as a nightwatchman at a mortuary to fund his studies. But the mortuary harbours a dark secret, and he has to find the truth before he is implicated in a serial murder case.

Farcial action fun with Bertil and Hugo, who do menial jobs at a big city hotel. Bertil is about to marry and has put money aside for his bride's morning gift. Only Hugo has kind of borrowed the money and blown it all on a wrong bet in a pigeon race. Together, they obviously have to get rich quick. When a diamond seems to be lying around for the taking, the hotel is virtually on its head.

Per is a traveling man who makes a living setting up new campsites—financed by a rather clueless telephone company and a gawking power plant. Søren has been in prison for eight years for bank robbery—but now he is free and ready to retrieve the buried money. To his great despair, he sees the campsite right where the loot is buried. Together with his greedy girlfriend and her four children, he tries to come up with a plan – but it will take a lot of imagination to get hold of the money.

In Nørrebro, in a property ripe for redevelopment, only one family remains: the Hansens. With Elvis as the head of the family. A welfare recipient who, sitting on the sofa with a beer in his hand, can fix the whole world situation, and Herdis Hansen, the all-embracing wife who provides electricity for her husband's TV and strolls around in a fur coat "given" to her by their son Brian. Despite the king's bailiff Kjeldsen's countless attempts to evict the Hansen family, Elvis manages to fend him off every time. To get them to move, he is offered director Knudsen's new headquarters, a villa in an affluent neighborhood in Charlottenlund, as a temporary solution.

He freed the slaves in 1848. He spoke out against the king and the government. He loved his wives equally. He was colorful, he was autocratic, he was Denmark's last governor-general of the West Indies, his name was Peter von Scholten. The film about him is a magnificent story of greatness, power, and stubbornness on the one hand, and of love, loyalty, and melancholy on the other. It is a colorful gallery of characters that depicts the times, the Dane in a foreign land—and the black man in relief to the white.