Agnès Berthon

1992, South of France. Charlotte and Liza, both 17, are inseparable. Together, they dream of music and imagine themselves performing on Parisian stages. But a tragedy tears them apart, leaving Charlotte alone, with dreams meant for two.

Paris, 1894. Who is Fanni, who claims to be voluntarily locked up in a women-only mental institution? Searching for her mother among the multitude of so-called 'madwomen', Fanni discovers a community of modern heroines who defy her expectations, along with the unexpected friendship of fellow patients. The sumptuous and renowned 'Party of Fools' of the asylum is in preparation. Politicians, artists, and socialites will flock to it. It’s her last hope of escaping the closing trap.

A man returns to his hometown. As a teenager he and some friends had shot horror films in the family house. A few images remain of these films, of his parents, of himself. The town is still the same today. The ghosts of Mamanville are there, drifting by; perhaps they will finally make their escape.

A bed sheet devouring bodies, a radio contaminating minds or a chicken refusing to be butchered…Kraken storms into an apartment building, where everyday soon plunges into bizarre…

A film found in an abandoned psychiatric institution (circa 1987-2018).

Graziella is employed as a housekeeper for a reclusive and wealthy bourgeois family who live in a town house. A monstrous thing is locked up inside it, a very old man who has desperately been waiting to die for years. When Graziella and the monster meet, something is awakened in them.

In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

No plot available for this movie.

Two actresses rehearse a play during a week-end in a country house. But one of them digs up a strange thing from earth while walking in the woods. A creature the size of a seal, without any holes nor members. The mass of flesh and skin, covered with hair, breathes loudly. The creature becomes an object of lust for both women. The relationship between the two actresses becomes tense. Both women are desperate to own the thing. This leads to a series of burlesque and violent situations. The two actresses have no idea that they have unearthed "Notre-Dame des Hormones"

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?