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This play by Henry de Montherland, takes place in 1517 and depicts the Cardinal de Cisneros, an authoritarian man approaching his end, regent of the throne of Spain oscillating between his desire for power and his tendency to inaction. Thinking himself invulnerable, he awaits the arrival of young Charles on the throne, but his beliefs will be shaken.

Tartuffe, a hypocritical man confided in false devotion, monopolizes the confidence of Orgon, a wealthy bourgeois and undertakes to seduce his wife Elmire. Having been unmasked by the latter, he strives to precipitate the ruin of his benefactor.

1661, the Assemblée du Clergé de France obliged all clergy to sign a form testifying to their submission to the decisions of the Holy See. In 1664, the Archbishop of Paris wanted to impose this decision on the nuns of Port-Royal. Among them was Sister Angélique de Saint Jean, admired by the very young Sister Françoise, who looked to her for comfort.

Arsène Lupin is extremely popular among the population, because he allows the needy to share in his acquired wealth. Before entering the service of the German Emperor Wilhelm II, he removes his vault in Alsace, steals two paintings of old masters, steals valuable gems and calls out to the police prefect to avoid his arrest. But this time he risks being seriously recognized. Lupin must once again use his fine intellect to deftly escape the situation.

Gaston Duboutois and Catherine Berton love each other, and are about to play Romeo and Juliet in their small provincial town. The industrialist Duboutois is opposed to his accountant Berton, both of whom are running for parliament. Tempers flare and invective quickly escalates. In the end, Duboutois wins and Berton loses his position. Although futile and foolish, it's the excellent Mme Duboutois who brings peace to the situation, brings about reconciliation and helps the two children to unite.

Fanfan is a young handsome peasant. He joins the army to escape marriage because a gypsy girl predicted he will get glory and the king's daughter as a wife. But the gypsy girl was in fact Adeline, the daughter of the recruiting officer. Once he has discovered the stratagem, Fanfan refuses to forget this dream and decides to fulfill the destiny of the fake prediction.

In Paris in 1314, the knight Jean Buridan is in love with Mirtille but the young woman is already coveted by the king's brother.

Madame Guérin, who has been suffering from cancer, benefits from a period of remission and she tries to regain health at any price. That is why she decides to consult a healer. But when her friend, also affected by cancer, is saved by an operation, she hesitates between traditional and parallel medicine.

Just before wowing international critics and moviegoers with his adventure romp Fanfan la Tulipe, director Christian-Jaque dashed off the lampoonish Barbe-Bleue. Ostensibly the story of the famed wife-killing potentate Bluebeard (Pierre Brasseur), this lighthearted costumer begins as the title character is poised to march down the matrimonial aisle for the eighth time. Barbe-Bleue's newest spouse Aline (Cécile Aubry) is kept in line by her husband's claims of murdering her predecessors. But when Aline opens the famous locked door to the equally famous hidden room, both she and the audience are in for quite a surprise. The frivolous nature of Barbe-Bleue is underlined by its pleasing utilization of the French Gezacolor process.

Durand, a big industrialist, works with an international adventurer, Mr. Ernest, who covets Mrs. Durand and threatens to bankrupt her husband if she does not consent. She calls him a jerk. Mr. Ernest sets out to ruin the Durands, and leaves in the castle that they must sell their couple of servants, Victor and Marie, who become the new masters, at the same time as they serve as a screen for Ernest for his dubious business.
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