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Kiyoyoshi Kuga attends law school, aiming to work in the legal field as a lawyer. His childhood friend Mirei Orimoto also attends the same law school. One day, a leaflet is distributed by an anonymous person at their law school. The leaflet makes accusations about the past of Kiyoyoshi Kuga and Mirei Orimoto. Soon, unpleasant cases takes place around them. Kiyoyoshi Kuga talks to Kaoru Yuki, who is an extremely smart classmate and in charge of the mock trials. These three people chase after the truth, but they face an unexpected situation.

Kuno Totono, a curly-haired college student, visits Hiroshima and becomes embroiled in a mystery surrounding the inheritance of the Kariatsumari family's assets, using his intelligence and loquaciousness to unravel the case.

Bookstore clerk Mikado sees ghosts. When exorcist Hiyakawa pulls him into a cursed murder case, the two uncover dark truths—and the killer’s voice still lingers.

College student Sota picks up a cassette tape left behind by musician Aki when he died a year ago. When the tape is played back, Aki takes over Sota's body for just 30 minutes. They share the same body and rush to reunite a band that split up and bring a smile to Aki's girlfriend Kana's face.

"A world" - After graduating from a university, close friends Takashi Tsurug and Tomohiko Miwa begin work at a company which does brain research. One day, Tomohiko introduces Mayuko Tsuno as his girlfriend. Takashi is stunned. When he was a university student, Takashi saw Mayuko Tsuno every day on the train opposite from the one he rode. He became attracted to her back then. "B world" - When Takashi Tsurug wakes up, his girlfriend Mayuko Tsuno makes breakfast as usual at his apartment. His friend Tomohiko Miwa introduced him to Mayuko and they have lived happily as a couple. Everything seems to be going smoothly, but Takashi begins to have doubts. Tomohiko, who worked with him at the same company, disappears and he can't discern if his memory is real or imaginary.

Two sets of parents divorce and marry each other, while their children Miki and Yuu are caught in the middle and start falling for each other.

A visibly pregnant Yuko returns home to find her family still grappling with the recent passing of her mother, Emiko, while her father becomes increasingly withdrawn and her older brother hopelessly combative.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Satoshi Murayama, the shogi (Japanese chess) master known as the arch-rival of Yoshiharu Habu, the shogi genius of the century, died of an intractable disease at age 29. Satoshi devoted his life to fighting not only the disease but also his rivals, feverishly pursuing the highest title, at risk to his life. Director Yoshitaka Mori (Hyakuhachi (2008), Space Brothers (2012)) depicts Murayama's true struggling life, full of love from his parents and teacher, based on the non-fiction novel written by Yoshio Osaki. Kenichi Matsuyama intensely portrays Satoshi and physically embodies the character.
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