
Barbara Stanwyck (July 16, 1907 – January 20, 1990) was an American actress. A film and television star, she was known during her 60-year career as a consummate and versatile professional with a strong screen presence and was a favorite of directors including Cecil B. DeMille, Fritz Lang and Frank Capra. After a short stint as a stage actress, she made 85 films in 38 years in Hollywood, before tur...
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A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.

Warner Bros. uses the movies to prepare the US for war and keep up morale on the home front during World War II.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

A camp, affectionate look at women in prison films - the girls you love to hate and hate to love.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

Born Ruby Stevens, she was orphaned when she was four. A chance audition led to a chorus job. By 17 she was a Ziegfeld Girl. At 20 she earned excellent reviews for a bit part in a Broadway play — and she had a new name: Barbara Stanwyck.

Actress Sally Field looks at the dramatic life and successful career of the superb actress Barbara Stanwyck (1907-90), a Hollywood legend.

A study of the Group Theatre, a company that changed the face of American drama. The Group was founded in 1931 by Cheryl Crawford, Harold Clurman and Lee Strasberg, who were strongly influenced by the naturalistic acting of Konstantin Stanislavski’s Moscow Art Theatre.

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.
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