Carol Kaye

All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.

Central Avenue thrived as a Black entertainment metropolis of Los Angeles during the 1920s through the mid-1950s. While it is often assumed that women who performed on Central Avenue were mainly vocalists, some of the most celebrated female instrumentalists in the history of jazz performed on this scene. When Central Avenue slowly closed its doors in the 1950s, many of these women instrumentalists continued to perform in Los Angeles and beyond. But more importantly, their legacy as "The First Ladies of the Horn" opened the doors for the next generation of women instrumentalists on the Los Angeles scene. Beyond Central Avenue documents the musical narratives of some of the leading contemporary female instrumentalists of Los Angeles and their impact on the music industry.

If you've ever listened to pop music from the 1960s and early 1970s, you've heard the (probably uncredited) work of The Wrecking Crew. The Wrecking Crew were a group of in-demand Los Angeles studio musicians who played on hundreds of iconic hits, including the Beach Boys' "Help Me, Rhonda" and The Mamas and The Papas' "California Dreamin'." Many different musicians played as part of the loosely organized Wrecking Crew, but there were three mainstays: drummer Hal Blaine, guitarist Tommy Tedesco, and guitarist and bassist Carol Kaye. Kaye was one of the few females working session musicians of the era. According to Vulture, both The Beach Boys' Brian Wilson and super producer Quincy Jones have referred to her as the greatest bassist in the world. 

Groundbreaking and ahead of its time, Pet Sounds — the 11th album by The Beach Boys — was a pioneering feat in production, sound, and songwriting…a work that continues to inspire musicians and fans to this day. The latest addition to acclaimed & award-winning Classic Albums series. gives fans a behind-the-scenes look at its creation.

A celebration of the musical work of a group of session musicians known as "The Wrecking Crew." a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys, and Bing Crosby.

Through modern day interviews, archival footage and vintage audio tapes, this documentary tells the story of the legendary and unfinished 1967 Beach Boys album SMiLE, intended to be the follow-up to their landmark album Pet Sounds, as well as Brian Wilson's ultimate decision to revisit the material 36 years later.