Robert Jarociński

When a spiteful coworker sabotages her deliveries, a courier and a helpful customer must race to return Christmas presents to their intended recipients.

Comedy about Zdzisław Najmrodzki, most famous polish criminal in the times of Polish People Republic, named "the getaway king", known for stealing cars and escaping prison many times, but never hurting anybody.

Wojtek spends his days sitting on a forest pulpit and tracking grouse plundering nearby villages and towns with foresters. One evening he returns through the fields from work and stumbles upon a strange phenomenon. A house is moving in the distance. Or rather, a single lighted window. When he returns the next day, the situation repeats itself. Day by day more and more windows appear. Intrigued, Wojtek tries to unravel the poetic-abstract riddle.

"Beavers" is the name of a punk band that no longer exists. They released one demo, then broke up, and each member forgot about music, dreams and a great career. Martin has just returned from Ireland and, with a sense of defeat, decides to end his life. He is stopped from suicide by a chance event - an ad for the sale of his old guitar. He decides to get it back and reactivate the band. He finds his band mates: Klock, whose way of life has become peddling psychotropics straight out of a psychiatric hospital, and Smrod, who has taken over the family business.

Young couple living in the old house suddenly discover an elevator which takes them directly to year 1939.

Emilka meets the slightly-older Maciek out at a club one night. He shows Emilka—who was brought up by a single mom—a whole new world filled with desire, passion, restlessness and rebellion. The girl moves in with him and at first everything seems just perfect, but gradually Emilka discovers her separate identity, and starts to grow apart from him. When her dream of becoming a singer comes true, Maciek feels threatened. A toxic love game begins, full of lust and jealousy.

An independent film critic is commissioned to write a blockbuster screenplay in which the girlfriend of an influential gangster is to play. Criticising is easier than creating. The critic tries to save his skin with the help of a girl, a proofreader from the editorial office.