
Akkas was primarily trained in city theaters and acted for the first time in the movie "Gonlumdeki Kosk Olmasa". He received the 'Golden Orange' award for his performance in this film. He simultaneously started his music career and was a bass guitar member of the music band "Hakunamatata". Initially, he worked under A4 Records, but he later continued his work and produced tracks on his own. In 20...
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Arif, Ceku and their child Kemo return to the planet Gora. Ceku has become the queen of the planet following the death of Amir Tocha. Kemo has graduated from the Gora Military Academy. The film, which begins with Kemo's oath-taking ceremony, concludes the story that began 25 years earlier in Gora, in Gora itself.

At the end of the meal, two bourgeois fathers quarrel over the bill.

A biopic about Turkish actress Adile Naşit (1930—1987), who was featured in many ensemble casts in classic comedy films.

A football prodigy rises to fame, battling prejudice and inner turmoil on his quest for greatness. Based on the life of Turkish legend, Lefter.

The film, adapted from French writer Laurent Baffie’s play “Toc Toc,” revolves around the adventures of six individuals with obsessive-compulsive disorder (OCD) whose appointments with renowned psychiatrist Orhan Kerim Baykal overlap, only to find that the doctor is nowhere to be found.

Asli thinks marriage is a scam, and says so. But when her beau Kerem unexpectedly agrees, she goes to great lengths to manipulate him into proposing.

Battered, broken and bereaved, a private investigator must muscle his way through a tangle of lies to uncover the truth behind a mansion murder.

A man in his fifties, a woman in her twenties, as different as you can possibly imagine. They meet by chance. They will spend a few extremely important hours together…

Rebellious, irreverent wunderkind Gülseren navigates loneliness, love and loss against the current of political turmoil and social change.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.
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