Masaru Kodaka

Rumiko, the female boss from Kanto. The film is a fierce counterattack by a Yakuza woman against all men! It shows the power of a woman who fights, a woman who makes money, and a woman who explodes! More energy than in any male movie!

With the object of discovering the male accomplice of Hideko, a bad girl, Michiko, a police-woman, disguises herself and infiltrates a gang. Then in a reformatory, under the name of Suzuko, she finds a certain girl who is familiar with Hideko and from her she approaches a woman, named Keiko. One day, at a beer-hall, the police-woman meets Keiko who just finished a secret narcotics transaction and asks her about Hideko. However, with the sudden appearance of Saburo, one of the gang, her search fails, and an exciting pursuit begins. Later Keiko is found dead.

No plot available for this movie.

Japanese comedy film.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

Sashichi investigates the mysterious murders of four beauties, all of whom were stabbed in the chest.

This time around, Sashichi is investigating a case of serial murders believed to be perpetrated by a giant bear.

Japanese comedy film.

Earlier version or Prequel to Queen Bee and the School for Dragons.

Japanese comedy film.