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Jimmie Jump is returning from Europe to the USA. His parents and an old girl-friend, Sally - whom he hasn't seen for years, are expecting him at the dock. But, due to some unfortunate coincidences they are mistaken about the identity of each other, but meet unbeknownst to that fact. Jimmie decides that he has to find that girl. Finally, after having annoyed a policeman, and a great fraction of the female population, he finds her working as a temperance worker. To get her attention, he dresses up in rags to meet her. But his way of introduction causes more confusion.

A quiet, thoughtful soul runs up against the three roughneck sons of a small town's dictatorial mayor who all court an attractive redhead he likes. Who will she choose, and will the mayor be removed on a murder charge?

The Timber Queen follows Ruth Rowland as the inheritor of a wealthy timber business who tries to stay independent of a cruel man who wants to marry her and steal her wealth. The UCLA Film and Television Archive has preserved episodes one, four, eight and nine, and distributor Harpodeon has preserved episode twelve.

The Lamb is a 1918 American short comedy film starring Harold Lloyd. It is believed to be lost.

In this early short Harold Lloyd sneaks into a movie studio in order to locate an attractive young lady he's just met at a snack bar. He's retrieved a letter she dropped and wants to return it to her, but it's pretty clear that his interest extends beyond mere politeness. (She's the adorable young Bebe Daniels, so this is easy to understand.) The movie studio setting provides Harold with lots of opportunities to do what comedians do in comedies like this one: flirt with actresses, anger the studio brass, and dash through sets disrupting everything.

A short film starring Harold Lloyd.

A photo studio operator seems only interested in flirting with women. Hilarity ensues.

A short film starring Harold Lloyd.

Harold Lloyd starred in the successful Lonesome Luke series. However, he soon grew tired of the obvious Charlie Chaplin imitation. In an attempt to reinvent himself, Lloyd donned a pair of horn-rimmed glasses, and thus, a new comedy legend was born. Setting himself against Chaplin, Lloyd's "glasses character" was an everyman, a resourceful go-getter who embodied the ambitious, success-seeking attitude of 1920s America.

Harold invades the "Gilded Guzzle" café, where he appropriates a lady's roll of money, hides under a table and impersonates a cigar store Indian.
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