Ford West

Set in the civil war, the stooges are spies for the north. They impersonate southern officers and infiltrate the enemy ranks to get valuable information. On the run when they are discovered, they hide in a cannon and are blown back to their northern headquarters.

Columbia's King of the Wild Horses is a remake of the silent Hal Roach western feature of the same name -- and with the same "star," Rex the Wonder Horse, in the lead. Most of the story involves the romantic triangle between rogue stallion Rex, the gorgeous mare Lady, and villainous black steed Marquis.

Three young girls live together in a one room apartment just scraping by while dreaming of Hollywood stardom. When one refuses a small role because they the producers won't meet her price the newest of the trio whose fresh off the bus from Omaha takes it and finds success.

A little orphan girl walks into the life of a hand-to-mouth carnival huckster. He teaches her the ropes and raises her as his own.

Nick, the "swing" man in a trapeze troupe, loves Greta Nelson, the girl in the act; and Tony, the "flyer," incurs his enmity as Greta seems to favor him; thus Nick fails to catch Tony, and Tony is killed. Ned Lee, a novice, reports for the next engagement. Meanwhile, Greta discovers that Nick purposely dropped Tony, and, frightened, she seeks refuge with Ned, with whom she falls in love. Greta remains with the act to protect Ned, and when the jealous Nick plots to kill him in a similar manner, Ned swings past him and hangs by his feet. After the show, a fight results in Nick's dismissal and the reunion of the lovers.

The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.

Big Boy, the charming little scoundrel wearing adult rags and boots was already performed by child actor Malcolm Sebastian at the age of two. As a child Big Boy’s fame went global, but could not likely maintain at adolescence.

The Marriage Circus is a 1925 silent comedy short.

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

Paul Parrott plays an obsessive-compulsive bill poster in this thoroughly average Hal Roach comedy from 1923. Hired to help publicize a new Gloria Snootful picture, Paul goes bonkers with glue and paper and ends up attaching promotional material to any surface within his reach, including the rear ends of a number of people, though his attempt to nail a poster to a glass window is somewhat less successful.