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Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.

When the Germans invade Poland during World War II, a family of Jews seeks refuge in a well. Based on real events, the three survivors moved to Buenos Aires in 1952.

In a school somewhere in the border region, a young teacher is trying to integrate Romani children into the classroom. But their families remain suspicious of education. The filmmakers have chosen a largely romantic view that does not penetrate beneath the surface. They have included numerous folklore examples, acting as the most attractive element. The real problems can thus only be imagined.

A pair of criminals, an escaped prisoner and a young thief, are about to make a joint, obviously illegal, escape across the border. They escape for a long time, even managing to infiltrate Polish territory. They head for the coast, from where they intend to transport themselves to Sweden. But the Polish security authorities are vigilant.

Four short stories depicting the private life of Czechoslovak soldiers. In the short story "The Pheasant", the hardened corporal Kony takes revenge on the bullying of the new recruit Lubos. On the way to get a tank repaired, however, a manly friendship is born between the two men. The story Potato depicts a brigade during which, despite the prohibitions of a strict professor, soldiers and students become close at an evening disco. The buns bring to life the problems of military love: Štěpánka prefers Peter to Honza, but pays heavily for her mistake. The film closes with the short story "The Solution", in which a lieutenant from Slovakia has problems with the arrangement of his family life.

Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.

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A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!

In a chateau near Prague there is a chantry and brothel Riviera, designed for the clientele from the higher circles. Mrs. Gábi Stolařová, called Madame, keeps a close eye on order, but otherwise she runs the place in a family spirit and makes sure that the customers are satisfied. A new employee, the beautiful Renata, disrupts the order of things and immediately draws the attention of all the guests to herself. But beneath her angelically innocent exterior, she hides a fierce ambition and a coldly calculating brain, which, to her own detriment...
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