Francisco Merino

The story of "Captain Thunder and the Holy Grail" is set during the Third Crusade in Palestine, when Captain Thunder finds in the dungeons of a fortress a dying Christian named Juan de Ribera, who entrusts him the mission to restore to Spain a cup which is the Holy Grail, stolen from an ancient order. Thunder, with his inseparable friends Crispin and Goliath, and a Viking princess named Sigfrid, will face an evil feudal lord and his black "devils", who are terrorizing the population of low Aragón.

At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.

Biography of Cardinal Tarancón, a key figure during the Transition period due to his efforts to reconcile the "two Spains." The assassination of Luis Carrero Blanco by ETA on December 20, 1973, prompted the cardinal to leave Madrid after receiving death threats. Once far from the city, Tarancón recalls what his life was like as a young priest on the run during the Civil War (1936-1939).

No plot available for this movie.

In 1960, Martín and Marcos are forced by their difficult personal circumstances to travel to Switzerland in search of work, leaving their families in the Madrid of Franco's Spain. But they undertake more than a simple journey; they begin the road to a new life.

This movie doesn't have any coherent plot. It's the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how they manage to survive in a country desolated by the war. Like other films: La colmena or Roma (Fellini) it shows us lots of characters and some moments of their lives.

An elderly man returns to his native town with the hope of finding his childhood love.

Three sisters leave Cuba in search of a better life in Madrid. While there, they encounter, among other things, other Cuban expatriates.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

Sister Angela and Sister Mary park his van in front of a bank branch. They enter the bank and with the weapons hidden under their habits, commit the robbery of the century, to the astonishment of all employees and customers. After thorough police investigation the two nuns are arrested, but then appears Trini, twin sister of one of them and now all is not so clear. Were the nuns who committed the robbery?