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A musical tale about two impoverished sisters' anguish over whether or not to sell the final masterpiece of their recluse father days before the second world war, in Manila.
The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.
A grandfather is on the brink of bankruptcy and brings his grandchildren back to the community that made nd shaped him, only to find that the place is no longer the same.
A community rushes to a faith healer after learning that one of them was miraculously healed from a deadly disease by the same person. They are torn apart afterwards as the healing brings them a terrible curse that wreaks harm and death.
The problems of 4 rich, beautiful women from Manila.
Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.
After a horrific collision between a passenger bus and an 18-wheeler truck in Nueva Ecija claimed two dozen casualties, two families await the arrival of their dead.
A story about an old woman, a cool hip Lola who likes the color Fuchsia, must deal with her old siblings in matters of life.
Junix Etrata and his girlfriend Maricel Salvacruz being abducted by military intelligence agents. Junix is a student activist who decided to dedicate all of his time to the movement. He takes refuge in the mountains to live with the indigenous people. Maricel, on the other hand, left the movement to lead a normal life. Their captors identified them as leaders of the New People's Army (NPA). In order to extract information from them, they were subjected to inhumane torture and despicable harassment.
A mother works abroad to fulfill the dreams of her family, but when she returns, she finds that her husband and daughter have disappeared. Thus begins a search for her family, leading the mother down shady roads, only to discover a devastating truth.
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