Guðlaug Elísabet Ólafsdóttir

The death of Jon's mother forces him to take on a journey with her corpse in the backseat to fulfill her last wish. Bresnef the dog comes along and this trip will be the gamechanger Jon never dreamt of.

Gudjón has led a safe life. Suddenly faced with retirement and growing older, he is forced to take a good, hard look at his marriage. A dramatic but often lighthearted story about life at a crossroads and the meaning of it all.

Sveppi and Villi go on summer holiday to an old country hotel. Soon they realize a dark and beautiful secret concerning a ghost, a secret spell and a grumpy hotel manager.

Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.

An epic tale about a group of whale watchers, whose ship breaks down and they get picked up by a whale fisher vessel. The Fishbillies on the vessel has just gone bust, and everything goes out of control.

A love story about two gay wrestlers living in rural Iceland who must keep their relationship a secret from the inner world of Iceland's national and very macho sport.

No plot available for this movie.

Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.

About Icelandic composer Jon Leifs (1899-1968) who spent much of his life in Germany before WWII. The film begins in the 1930s after he has married the daughter of an industrialist, Annie, who is also a concert pianist. This era was frustrating for Leifs because his works were seldom performed. Iceland's submission for the Academy Award for Best Foreign Language Film in 1995