Sofía Palomino

After ending a long relationship, Malena finds herself in an existential crisis. Locked in her studio, she dedicates herself solely to her work as a designer, avoiding any type of human contact. Suddenly, Andrea, her mother, shows up at her door with a statement: she has just had a fight with her husband, and she won't give up until she begs for forgiveness. In the meantime, he decided that he will stay with his daughter. This invasive and suffocating presence bursts into Malena's life to bring order to chaos, chaos to order, and examine each of her actions, past, present, and above all, future.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

Heartbroken, Maite arrives at a coastal town where the few residents live out their lonely lives. The peace soon disappears, when they come across an unconscious sailor on the beach one day, prompting Maite to decide whether to move forward and create a new life or remain stranded on those shores.

Antonio wanders the streets of Buenos Aires in search of money and sex. The magnetism he exerts on the people who cross his path allows him to steal and cheat them. Only his mother, with whom he has a confictual relationship, will get over his feeling of impunity and will push him to leave for a trip to the south of Argentina.

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

Ana Livia Plurabelle (30) has different sexual encounters that will make her realize something she hasn't thought about before: the possibility of making money with her body.

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.

La Negra and Vicenta are two homeless women. After losing their place and belongings, they meet Pola, a younger woman who is starting out in a previously unknown reality. The three women accompany each other revealing the complexities of being a woman, being older and living on the street.