Bohumil Šmída

An allegory set in an archetypal Czech village, it tells the story of what happens when a series of mysterious events take place, including the disappearance of the station master. While everything has a rational explanation, collective paranoia takes over and everyone's worst instincts are unleashed. Interrogations, disenfranchisement, and the search for scapegoats ultimately lead to murder. The movie was completed in 1969, but it was banned and not released till 1990, Evald Schorm who died in 1988 never saw it completed.

The 50th anniversary of the Barrandov studios was celebrated with a spectacular show: many directors and other important people gathered in the expensive decorations of the Variety Theatre auditorium (built for the Circus Humberto series). They smiled and showed well-deserved relaxation after a job well done in managing socialist cinema. Vladimir Sís interspersed this with excerpts from films, mainly his own and also a little of others who had worked on the "Hill of Dreams".

Biography of the life of Guillaume Apollinaire.

Thirteen-year-old Vendula dozes off at school and dreams about her parents riding in a carriage dressed in their wedding clothes. The young teacher is angry with the girl who has already failed a year, and has no idea that she is looking after three younger half-brothers. They all have a different father and their mother comes home noisy and drunk every day, often accompanied by a man...

Antonín Kachlík wanted to make committed films about the moral dilemmas of the working class, but in the era of normalisation, he could only proclaim how faltering individuals would eventually come to the desired thinking. This is also true of the adaptation of Jiří Švejda's book about the wavering career of a young brickmaking technologist - the simplistic drawing of characters and plots, the posterishly lifeless language and the textbook discussion of social ills are all objectionable; the ideal becomes the code of the socialist builder.

Vera, wife of the plumber Simandl (Josef Somr), is found murdered in the cinema next to the IDOC (Information and Documentation) agency where she worked. Police captain Marha (Frantisek Nemec), who is leading the investigation, is informed by Simandl that on the day of the murder Vera promised to bring home fifty thousand crowns to buy a car. Marha's primary suspects are the three men working at the agency: deputy editor-in-chief Brandl (Jirí Pleskot) and editors Pernata (Eduard Cupák) and Remes (Ludek Munzar, and of course also Simandl.

After her mother's death, Lada lives alone with her father, the king, who prefers to spend time with the ladies of the court and has no time for his daughter. And when she protests, he decides to marry her off. So Lada runs away disguised as a boy to a neighboring kingdom. Lada – or Láďa – enters the service, that is, the kitchen, of the young king. And because the young king is celebrating his eighteenth birthday, Lada attends his ball...

A 50-year-old foreign trade executive meets a 20-year-old student at a trade fair in Brno. The relationship triggers confrontational memories of his own youth and ideals...

A mail truck is robbed near the small town of Kostelec, during which the perpetrators steal CZK 2.5 million. The local police fail to solve the case. After some time, a young and capable lieutenant Charvát arrives from the Prague CID. While he is getting acquainted with the circumstances of the case and the evidence found, he makes friends with the handsome Květa, the daughter of the hostel manager Weisse. The complicated relationship that develops between the two lovers is in no way comparable to the complexity of the criminal case that brought Charvat to Kostelec. Things get even more complicated when someone murders Malásek, a local brawler and drunkard, with a shotgun. He is actually Květa's husband. And his death, according to Charvat, is connected to the mail robbery...

Webs of Prague's post-war underworld.