Julien Schoenaerts

Ellektra is a story about comfort. The main character Sam finds real comfort and is released from her virtual comfort, drugs. Her true comfort is the sixteen year old girl Ellen, who puts people suffering from severe misfortune into contact with each other through SMS, and gives new meaning to their lives.

The story of Lieve, a young orphan who lives with her aunt in a house for elderly people. When she finds a wounded pigeon, she integrates it in her world of fantasies and is persuaded that the pigeon is Jesus.

A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.

Tragicomedy about a man who hears he has got one more week to live and who brings his two water turtles to the sea to set them free.

An actor and poet falls in love with a former mortuary photographer turned waitress. They find themselves caught up way over their heads in a dirty political and financial affair, an art smuggling case that touches them merely for the fact that it may separate them, be it through death or exile.

A female writer bases her newest book on the affair she had with her publisher in this Dutch drama. Lin is the glamorous writer who finds herself pulled out of a canal by two riverboat men. Her story is told in flashback. Her recently published book "Wildgroei"(Dutch for "Wild Growth") chronicled her one-sided passion for her publisher Emile who chose Lin's sister Marot instead.

In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the petite bourgeoisie in oppressing workers. He writes a few columns for the Catholic paper, and soon workers are listening and the powerful are in an uproar. He's expelled from the Catholic party, so he starts the Christian Democrats and is elected to Parliament. After Rome disciplines him, he must choose between two callings, as priest and as champion of workers. In subplots, a courageous young woman falls in love with a socialist and survives a shop foreman's rape; children die; prelates play billiards.

A tale centered on the Battle of the Golden Spurs in 1302 where the Flemish rank and file won a major victory over the glorious French knights.

Unrelenting pessimism dominates this slow-paced, dark film, the debut feature from director Digna Sinke dedicated to an archetypal born loser named Marian (Josee Ruiter). Marian is a journalist who has been working in Latin America and who arrives home just after her father dies to find out that the man she had married for purely political reasons might be deported because the authorities found out he was not living with her. Meanwhile, Marian is upset that her mother and sister are keeping her mentally handicapped brother in an institution, and she goes there to get him released into her custody -- a mistake it turns out. He is actually worse off with her, and vice-versa. On top of everything, Marian cannot break away from the depression she feels over a tragic incident that happened while she was in Latin America -- and anything she does is colored by that moment from the past. These burdens become almost too much to bear, both for Marian and the viewers.

De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.