William Shimell

Miranda's Letter takes as a starting point the 'missing women' in Shakespeare, in this instance, The Tempest, and imagines what Miranda's mother would have wanted to say to her daughter. Commissioned as part of Shakespeare Lives 2016.

As we follow a mother and her son, we delve into a past marred by an accident that tears them apart. She will become a renowned artist and healer, and he will grow into his own and a peculiar falconer who bears the marks of a double absence. In the present, a young journalist will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths.

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.

A behind-the-scenes documentary on the making of Abbas Kiarostami’s "Certified Copy" (2010).

Stravinsky's masterwork The Rake's Progress, created for La Fenice in Venice in 1951, is based on a libretto by W. H. Auden and Chester Kallman, inspired by a series of 18th century prints by William Hogarth. This amazing production from La Monnaie De Munt jazzifies the setting by replacing Hogarth's sin city, London, with 1950s Las Vegas, turning it into a glittering, cinematic gallery of tableaux vivants inspired by the early days of television. Staged by one of the most visionary theatre directors of our age, the Québécois Robert Lepage, the neo-classical morality tale truly becomes a grand spectacle. Lepage's visual imagination works its magic superbly, while Kazushi Ono's energetic musical direction drives the sparkling ensemble to exhilarating heights. Recorded in High Definition and true surround sound.

William Christie, the master of Baroque music, and stage producer Luc Bondy join forces in Paris to give Handel's masterwork a new lease of life.

A television version of Berlioz's oratorio.