Wang Sha

The film tells that Yan Xian's master passed him a demon catcher before he died, but the demon catcher was stolen by the three cat demon. The stranger caught the "demon in the ear" inside the king. Yan Seventeen caught a rat demon who had stolen his money and treasure, and this rat demon named Rat Laibao was the real successor of the demon catcher. 　

The story about royal intrigue with the ingenious Lord Liu, whose intelligence was envied by the Emperor himself.

Cheng, a beautiful martial arts ace, battles to keep her inheritance from the ruthless Yun Wei, but her efforts are sabotaged by Yu Tao, her wayward and irrepressible great-nephew. Following a frenzy of spectacular comic mishaps, the hapless duo are setup and imprisoned and the deeds to Cheng's estate are stolen. She is held hostage after a doomed attempt to reclaim the papers back from Yu Wei's place, and the stage is set for a savage fight to the death.

Young swordsman Lung Fei encounters strange omens portending the death of his fiancee Ting Tzu-chu. His enquiries with the help of Chief Constable Tieh Hu reveal an astounding story.

The plot is a trifle about an obnoxious restaurant delivery boy causing trouble with some local bad guys for the cook who secretly knows kung fu, eventually learning some techniques and finally, with the cook, confronting the bad guys.

Kao is given a mission by his elderly master to take a cursed sword and solve petty squabbles between skilled martial masters.

Complex plots? This director didn't want them. Expensive, famous stars? Didn't need them. Glorious sets and costumes? He could take them or leave them. With his choreographer Hsu Hsia, John Lo Mar liked making lean, mean, fighting movies, and fans rejoiced. Here Wu Yuan-chin stars as "the Kid," a monk whose education in the aptly named "Crazy Lo Han Fist" finds him battling a cruel bandit's son and befriending an abused prostitute. From then on, it's one fight after another in another John Lo Mar martial arts marvel.

A gang of thugs led by a ruthless bully (Hwang Jang Lee) has been terrorizing the residents of a small Japanese town for years, and the townspeople have finally had enough. But they won't stand a chance without the help of a local man's son who's been secretly studying kung fu. Now, it's a classic battle between good and evil, with warring factions throwing punches, kicks -- and insults -- with impressive skill.

The year is 1756 and the Emperor journeys to Soochow, where he encounters a famous courtesan and gets involved with in all sorts of un-emperor-like activities.

Sha Yung (Wang Sha) and Shuang La (Lin Hui-huang), a sly duo with some kung fu skills, make their living through clever schemes. After accumulating a sum of money through less-than-honest means, they venture into the “consultancy” business, which proves to be a thriving enterprise. Their path crosses with Ah Ying (Yang Tsing-tsing), who disguises herself as a man. Upon learning that she is being pursued by her widowed stepmother, Hua (Lo Wan-yin), and Hua’s lover, who conspired to harm Ying’s father, Sha Yung and Shuang La extend their sympathy. Hua employs a professional assassin to attack Ying’s hideout . The two resourceful con-artists assist Yang to resist the assault. Eventually, they capture Hua and her partner in crime, setting the stage for a reckoning with justice.