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Vilnius 2022. High-flying executive Marija chooses the worst possible moment for an honest conversation with her husband Vytas about divorcing - just one day before Russia’s invasion of Ukraine goes into full scale. Now they must navigate the process of separation as it collides with a refugee and mid-life crisis.

Single mother Elaine is disturbed by her son Martin's aggressive behaviour, she visits his late father's estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son's future.

"DE LAMPERTSBIERG is a documentary series about Limpertsberg, a district of the city of Luxembourg. It was researched and directed by Joy Hoffmann, with the support of the "Amis de l'histoire du Limpertsberg". The film is produced by the "Centre national de l'audiovisuel" (CNA). The film is presented as a series of six episodes, each lasting approximately 35 minutes. The film is based on interviews with local personalities, archive footage from the CNA and RTL, newly shot footage as well as photos and documents from Luxembourg archives and private collections. "De Lampertsbierg" is a personal look at the neighbourhood by the director who has spent his whole life there. The series describes specific aspects of the district, but also reflects 150 years of history of the city of Luxembourg, if not the whole country.

A witty comedy about Ramune, an aspiring Lithuanian actress in Luxembourg, enduring a series of humiliating encounters at the hands of an industry that benefits from making her feel insignificant.

It is April 1933 and the Nazis have been in power in Germany for just two months. All liberties have been suppressed. Fritz Lang, who has just directed “The Testament of Dr. Mabuse”, is summoned to the private quarters of Joseph Goebbels. The objective of the meeting: to convince the most prominent man in German cinema to work for the Nazi regime.

Two troubled teens in Luxembourg act out their frustrations on the world, and slowly grow closer.

Japanese photographer Izima Kaoru asks his subjects one question: How do you want to die? By following the artist on a journey to create new work, we find that the answers to this question are revealed in the fears and joys of both artist and model.

Police officer Tom Faber was found shot to death in his car behind the stadium. Inspector Hastert (André Jung) from the criminal police leads the investigation and searches for the murderer together with Olivier (Jules Werner), the brother of the murdered man, who is also a police officer. After an initial clue that led to the drug milieu, a prostitute appears who is said to be in a relationship with Tom and who has given him a key to a place where something important is hidden. It turns out that in a locker in the sacristy of the National Library is a file with documents that indicate Tom was on the trail of an influential businessman's sordid dealings before his death. But Olivier still doesn't see what lies behind the dead end of the investigation...

In August 1914, Belle, a young well-bred lady and Betty, her chambermaid, discover a big trunk in the attic. When they manage to open it, thousands of photos and postcards spread all over the floor to form a pile of memories. Thus, the ladies start to reminisce about what was called "la Belle Époque".

Alice and her friends are approaching the end of the school year where their dead-end lives will end, and the chance of a new life will begin. Before heading off to college they spend one last day together in the woods, the one part of town that has always been off limits to them growing up. As they stumble upon what they thought was an abandoned fort only to find the walls dripping in blood and decomposing body parts lying around, they are startled to learn they are now a part of an undercover investigation. After being told to get out of the woods they realize they're trapped, for the Hunters, who call the fort home, never let anyone out alive.
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